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Calcografia di belle statue antiche 1779 (5812819)
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Related
Habit d'Ixion: a man wearing a tonnelet with a sword in the belt, a turban with one large feather on his head, from 'New designs for costumes' (Nouveaux desseins d'habillements à l'usage des balets operas et comedies)
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Costume Français, puis Nouveau Costume Parisien 1799-1810, No. 136: Coiffure en demi turban (...).
Habit de Faune: a faun wearing a tonnelet with a flute attached, a cane in his right hand and vines around his horns, from 'New designs for costumes' (Nouveaux desseins d'habillements à l'usage des balets operas et comedies)
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[Rosalie Henriette Bediez Laborde, full-length portrait of a woman, three-quarters to right, standing, in costume with lace apron, holding bouquet]
Habit de Roy: a man wearing a tonnelet decorated with rosettes, a crown and a turban with feathers on his head, from 'New designs for costumes' (Nouveaux desseins d'habillements à l'usage des balets operas et comedies)
Summary
Public domain scan of a decorated illuminated manuscript page, medieval, 13th-14th century, free to use, no copyright restrictions - Picryl description
Claude Gillot was a French painter, engraver and designer, born in Langres in 1673. He is best known for his work as a painter and decorator, particularly for his designs for the Paris Opera. Gillot was also a successful portrait painter and produced a number of works in this genre. Gillot was trained in the Flemish style and was strongly influenced by the work of Flemish painters such as Rubens and Van Dyck. He moved to Paris in the early 1690s and quickly established himself as a successful artist, working for a number of prominent patrons including the Duke of Orléans. In addition to his work as a painter, Gillot was also an accomplished engraver and produced a number of prints based on his own designs. He was particularly adept at creating intricate and detailed compositions full of movement and energy. Gillot died in Paris in 1722, aged 49. Despite his relatively short career, he left behind a significant body of work that is highly regarded by art historians and collectors alike. His work continues to be celebrated for its technical skill, inventiveness and sense of humour and whimsy.
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- Habit de Roy: a man wearing a tonnelet decorated with rosettes, a ...
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- Habit de Roy: a man wearing a tonnelet decorated with rosettes, a ...
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