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Plate 46: Habit de Folie: a woman in a ballet pose, wearing a bonnet and holding a marotte in her right hand, from 'New designs for costumes' (Nouveaux desseins d'habillements à l'usage des balets operas et comedies)
Habit de Roy: a man wearing a tonnelet decorated with rosettes, a crown and a turban with feathers on his head, from 'New designs for costumes' (Nouveaux desseins d'habillements à l'usage des balets operas et comedies)
Bacchanal with young Bacchus grasping grapes in his raised left hand; at left a satyr, putti, and a donkey crowd around Bacchus; at right a she-goat suckles a child and women pass a bowl; from a series of twelve frieze-like designs showing bacchanals, sacrifices, and dances
[Young woman modeling: half lgth., facinag left, wearing low-cut dress and hat with flowers]
El diestrisimo estudiante de Falces, embozadoburla al toro con sus quiebros (The Very Skillful Student of Falces, Wrapped in His Cape, Tricks the Bull with the Play of His Body)
An oiran in night attire standing by an andon and trimming the lamp with a hairpin. Back of her is her bed with futon piled on it and a tobakobon and pipe beside it. At the left a screen with a kimono thrown over it
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Case (Inrō) with Design of an Onî (Demon) Carrying a Temple Bell and Paper Lantern over His Shoulder (obverse); Onî Carrying Fish Head Stuck on a Pole and Holly Branch (reverse)
A Bacchanal: a satyr holds Silenus as he lies on a donkey's back and picks a leaf from a garland, two putti carry an amphora and a basket with grapes at left, and a faun carries a sack at right
Habit de Faune: a faun wearing a tonnelet with a flute attached, a cane in his right hand and vines around his horns, from 'New designs for costumes' (Nouveaux desseins d'habillements à l'usage des balets operas et comedies)
Summary
Public domain image of a 17th-18th century fashion, costume design, free to use, no copyright restrictions image - Picryl description.
Claude Gillot was a French painter, engraver and designer, born in Langres in 1673. He is best known for his work as a painter and decorator, particularly for his designs for the Paris Opera. Gillot was also a successful portrait painter and produced a number of works in this genre. Gillot was trained in the Flemish style and was strongly influenced by the work of Flemish painters such as Rubens and Van Dyck. He moved to Paris in the early 1690s and quickly established himself as a successful artist, working for a number of prominent patrons including the Duke of Orléans. In addition to his work as a painter, Gillot was also an accomplished engraver and produced a number of prints based on his own designs. He was particularly adept at creating intricate and detailed compositions full of movement and energy. Gillot died in Paris in 1722, aged 49. Despite his relatively short career, he left behind a significant body of work that is highly regarded by art historians and collectors alike. His work continues to be celebrated for its technical skill, inventiveness and sense of humour and whimsy.
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