Johannes Wierix - Wachters op de muren van Jeruzalem

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Johannes Wierix - Wachters op de muren van Jeruzalem

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Wachters op de muren van Jeruzalem. Allegorie op politieke gebeurtenissen in de Nederlanden op 19 september 1579. Personificaties van Strijden (Proeliari), Waken (Vigilare) en Bidden (Orare) staande op de stadsmuur van Jeruzalem. Mogelijk in relatie met de verovering van de schans bij Willebroek op 19 september 1579. In het onderschrift 2 verzen van elk 4 regels in het Nederlands en Frans.

The roots of the Flemish school are usually placed in Dijon, the capital of the dukes of Burgundy where Philip the Bold (reigned 1363–1404) established a tradition of art patronage. Philip the Good (reigned 1419–67) moved the Burgundian capital to Brugge (Bruges). The largest county in the Southern Netherlands was Flanders and the term Flanders is often used to refer to the whole of the Southern Netherlands. Flanders produced many famous artists of Northern Europe. Arts flourished in the County of Flanders and neighboring Brabant, Hainaut, Picardy, Artois, and Tournaisis, from the early 15th century until the 17th century. In the 15th century and up to 1520 Flaundry was a part of Early Netherlandish art with the center in Antwerp. It gradually became distinct from the art of the rest of the Low Countries, especially the modern Netherlands by the end of the 16th century, when the north and the south Netherlands were politically separated. During the last quarter of the 16th century, political unrest between the northern and southern parts of the Netherlands brought a decline in Flemish art. Many Flemish artists left the Southern Netherlands for Rome, Germany, or the Dutch Republic. After Twelve Year Truce, Flemish art revived.

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1579
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Rijksmuseum
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Creative Commons CC0 1.0 Universal Public Domain Dedication ("CCO 1.0 Dedication")

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