map from "Rome. Description et souvenirs ... Ouvrage contenant 346 gravures sur bois ... et un plan de Rome"

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map from "Rome. Description et souvenirs ... Ouvrage contenant 346 gravures sur bois ... et un plan de Rome"

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This image has been taken from scan 000401 from "Rome. Description et souvenirs ... Ouvrage contenant 346 gravures sur bois ... et un plan de Rome". The title and subject terms of this image have been generated from tags, created by users of the British Library's flickr photostream.

Renaissance representation of classical ruins was a symbol of antiquity, enlightenment, and lost knowledge. Ruins spoke to the passage of time. The greatest subject for ruin artists was the overgrown and crumbling Classical Rome remains. Forum and the Colosseum, Pantheon, and the Appian Way. Initially, art representations of Rome were realistic, but soon the imagination of artists took flight. Roman ruins were scattered around the city, but frustrated artists began placing them in more pleasing arrangements. Capriccio was a style of imaginary scenes of buildings and ruins.

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Date

1872
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Source

British Library
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Public Domain

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