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Public domain photograph of 19th-century female portrait painting, free to use, no copyright restrictions image - Picryl description Public domain photograph of 19th-century female portrait painting, free to u More
Anna Ancher and Marie Krøyer on the beach at Skagen .*oil on canvas .*45 x 47 cm.*circa 1893.*
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A Self-Portrait of the Artist, head and shoulders at his Easel
Study of a male model. Charcoal on paper. Sheet size c. 63 × 48 cm. Unframed. Drawn at “Atelierskolen” for women in Copenhagen, where Marie Krøyer studied in 1886–87, before she went to Paris. Here female art More
Study of a male model. Charcoal on paper. Sheet size 61 × 47 cm. Unframed. Drawn at “Atelierskolen” for women in Copenhagen, where Marie Krøyer studied in 1886–87, before she went to Paris. Here female art stu More
Academic study of a shirtless male model (Rickard Krause). Unsigned. Inscribed Rickard Krause, Nørre Farimagsgade 26 Stuen. Charcoal on paper mounted in passepartout. 76×53 cm. Unframed. Drawn at “Atelierskole More
Academic male nude. Unsigned. Dated Paris 1889. Charcoal on paper. Unframed. From the auction catalog: Purchased by Skagens Kunstmuseum in November 2016 together with another academic male nude by Marie Kr More
Academic male nude. Unsigned. Dated Paris 1889. Charcoal on paper. 61 × 44 cm. Unframed. From the auction catalog: Purchased by Skagens Kunstmuseum in November 2016 together with another academic male nude More
Study of a male model. Inscribed Marja Maximiljewna [?]. Charcoal on paper mounted in passepartout. Sheet size 62 × 47 cm. Purchased by Skagens Kunstmuseum in November 2016 together with another drawing for 4,000 kr.
Krøyer spent his summers in Hornbæk 1873-1876.
This was a study for Krøyer's larger painting of the same scene.
Krøyer attended the painting school of Léon Bonnat in two spells between 1877 and 1879.
The experts at Bruun Rasmussen wrote that this was a study for Krøyer's 1883 portrait of Pauline Drucker (privately owned).
This is a study for Krøyers portrait of the two Bendix brothers (Christensen no. 634). Jørgen was born in 1892 and later became an opera singer. Tyge was born in 1894 and became a painter and actor.
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Self-portrait
In the Catalogue Raisonné with the title: "En Flok Drenge ude i det solglitrende Hav. Inde ved Strandkanten er tre, og paa Sandet en Dreng i Løb ud mod de andre" (A group of boys in the glinting water. Three on More
In September 1904, Krøyer travelled to the spa town of Wiesbaden for treatment. His letters and paintings from the time portray him as being in a rather exalted state, as described in Peter Michael Hornung, Ped More
This is one of the eight known studies (Christensen no. 502-509) for Krøyer's painting of bathing boys (Christensen no. 510), which disappeared around World War II.
This is the title used by Christensen. The experts at Bruun Rasmussen spelled the house owner with a K.Krøyer repeated this scene the following year in larger format (Christensen 346).
Jens Holger Drachmann (1880-1929) was the son of Emmy and Holger Drachmann. The experts at Bruun Rasmussen tell us that Krøyer painted the portrait in the summer of 1883, while Holger Drachmann was in Norway. A More
Krøyer made two drawings as a set 1883. The experts at Bruun Rasmussen thinks that this one shows Ferdinand Theodor Rée and the other one his wife, Gerhardine Rée. F.T. Rée died in 1879, so Krøyer made the draw More
This is a study for Krøyer's painting Fiskere trække våd på Skagens Nordstrand. Sildig eftermiddag, now at Skagens Museum. It is not among the three studies mentioned by Christensen (no. 295-297), but is obviou More
This is one of five known studies (Christensen 481-485) for Krøyer's 1891 painting En Gruppe Fiskere paa Skagens Nordstrand (A group of fishermen on the North beach of Skagen), Christensen no. 486.
This appears to be a study for Krøyers pastel of a lunch in Civita d'Antino during Marie and his honeymoon in Italy. It could be a later work, because Krøyer has signed it in April 1892. The depicted person is More
The experts at Bruun Rasmussen singled this painting out as a clear example of Krøyer being influenced by impressionist painters. They cited the resemblance to Claude Monet's 1873 painting of women and children More
Krøyer made two drawings as a set 1883. This one shows Gerhardine Rée and the experts at Bruun Rasmussen belive the other one shows her late husband, Ferdinand Theodor Rée.
An early work by Krøyer. Not mentioned in Christensen's list of his paintings.
This is one of two known paintings by Krøyer with dedication to his friend, the Dutch painter Willy Martens. Krøyer and Martens met while both were attending the Bonnat painting school in Paris in 1877.
This is one of four studies (Christensen 363-366) Krøyer made for his large painting of the Neruda Quartet playing in his Studio in Copenhagen.
Krøyer celebrated his 50th birthday on July 23, 1901 in Bjørnesjerne Bjørnson's home at Aulestad. Among those present that summer was the youngest Bjørnson daughter Dagny, then married to the German publisher A More
Julie Vett (1872-1959) was the daughter of Caroline and Emil Vett, a leading Danish businessman. In 1896 she married the naval officer Kay Reinhard (1871-1928), who later went into business and became managing More
The museum at Frederiksborg has a study for this work.The professor had died in 1870, and the portrait draws heavily on Krøyer's 1866 portrait of him.
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Octavius Thomas Hansen (1838-1903) was a Danish lawyer and politician. This work is a study from 1903 - the year Hansen died - and that may be the reason why there is no finished portrait.
This is a study for Krøyer's 1898 painting Skagens Jægere (Hunters of Skagen).
This is the only known study for Krøyer's painting of his wife Marie at the beach (Christensen no. 499).
When Holger Drachmann died in 1908, the Museum at Frederiksborg commissioned Krøyer with a portrait of him. Krøyer could just have repeated his 1895 portrait, but instead he looked at his neighbour. The dune wa More
This is an oil study for the painting in Statens Museum for Kunst, also from 1890.
Marie and P.S. Krøyer came to Civita d'Antino in June 1890 as part of their extensive honeymoon travels. They visited the Danish painter Kristian Zahrtmann, who had lodgings with the Cerroni family, just at the More
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