Images For Editing

In 1677, Karl XI of Sweden decided to collect all the flags and stands that were won as trophies in war. The purpose was to preserve the memory of these victory signs, even if the banners and flags themselves w More

Unidentified Artist Tang dynasty (618–907) Public domain image related to Chinese history, government, and politics, free to use, no copyright restrictions image - Picryl description

Public domain reproduction of art print, 17th century, free to use, no copyright restrictions image - Picryl description. The Annunciation is a biblical event in which the angel Gabriel appeared to the Virgin More

Public domain reproduction of art print, free to use, no copyright restrictions image - Picryl description

Public domain photo of Asian art painting, medieval, free to use, no copyright restrictions image - Picryl description.

Public domain photo of religious Christian art print, 17th century, free to use, no copyright restrictions image - Picryl description.

Public domain reproduction of artwork, medieval, free to use, no copyright restrictions image - Picryl description.

Public domain photo of Asian art painting, medieval, free to use, no copyright restrictions image - Picryl description.

German (artist nationality) painter and engraver (artist role) Recto: l. c.: (monogram) AD ; verso: (in pencil) u. l.: Clark's Dec 1937; l. l.: C575/687 [and] 00425830; l. r.: 10 1/4 x 14 3/8. (inscription) Wo More

Public domain photo of Asian art painting, medieval or early renaissance, free to use, no copyright restrictions image - Picryl description.

Public domain reproduction of artwork, medieval or early renaissance, free to use, no copyright restrictions image - Picryl description.

Flemish (artist nationality) painter, engraver, etcher, and publisher (artist role) Recto: bottom center: (within image) HAERLEM. ; bottom center: (beneath image, but within plate, in German) 13. Nachdem sich H More

Unidentified Artist Joseon dynasty (1392–1910) Public domain photograph of 16th-century painting, free to use, no copyright restrictions image - Picryl description

Allemagne Public domain scan of German 16th-century print, free to use, no copyright restrictions image - Picryl description St. George Conquering the Dragon is a popular subject in Christian art, representin More

Public domain reproduction of art print, free to use, no copyright restrictions image - Picryl description

Public domain image of a 16th-17th-century print, mannerism, free to use, no copyright restrictions - Picryl description

Picryl description: Public domain illustrated book page scan, drawings, free to use art, no copyright restrictions image.

after a painting once attributed to Michelangelo Merisi da Caravaggio, painter and engraver, 1573-1610 (artist notes) French (artist nationality) engraver (artist role) Caravaggio, Michelangelo Merisi da, 1573- More

Public domain image, 16th-17th century drawing, free to use, no copyright restrictions image - Picryl description

Illustration shows several artists identified as "Lawrence, Gainsborough, D. Teniers, Rubens, Raphael, Da Vinci, Titian, Duerer, Velasquez, Van Dyke, Reni", and the friar Girolamo Savonarola as "S", being held More

Picryl description: Public domain image of a print - round portrait, medal, medallion, free to use, no copyright restrictions.

Workshop of Giorgio Vasari (Italian, Arezzo 1511–1574 Florence) Public domain scan of 16th-century drawing, free to use, no copyright restrictions image - Picryl description

Public domain scan of portrait art print, free to use, no copyright restrictions image - Picryl description

who has reworked an engraving possibly by Crispin van den Queborne, painter and engraver, 1604-1652, based on an original design by Adriaen Pietersz. van de Venne, painter and draughtsman, 1589-1662 (artist not More

after a drawing by Tiziano Vecelli, called Titian, ca. 1488-1576 (artist notes) Flemish (artist nationality) painter and engraver (artist role) Titian, ca. 1488-1576 (original artist) Recto: (no inscription); V More

after a painting by Jacob Jordaens, history and portrait painter, draughtsman, watercolorist, and engraver, 1593-1678 (artist notes) Dutch (artist nationality) engraver and publisher (artist role) Jordaens, Jac More

Public domain photograph of 17th-century painting, free to use, no copyright restrictions image - Picryl description

Attributed to Jusepe de Ribera (called Lo Spagnoletto) (Spanish, Játiva 1591–1652 Naples)

after a drawing by Girolamo Francesco Maria Mazzola, called Parmigianino, painter, draughtsman and etcher, 1503-1540 (artist notes) Flemish (artist nationality) draughtsman and engraver (artist role) Parmigiani More

Anonymous, French, 18th century Public domain scan of 17th-century drawing, free to use, no copyright restrictions image - Picryl description

after a painting by Otto Vorsterman, painter, 17th century (artist notes) Flemish (artist nationality) draughtsman and engraver (artist role) Vorsterman, Otto, 17th century (original artist) Recto: u. l.: (engr More

Public domain photo of Asian art painting, free to use, no copyright restrictions image - Picryl description

Dutch (artist nationality) draughtsman, engraver, print publisher and painter (artist role) Recto: bottom center: (within image) Crispin de Pass inuent . excudit . ; bottom: (beneath image, in Latin) Concentu v More

after an etching by Jacques Callot, painter, draughtsman, etcher and engraver, 1592-1635 (artist notes) Unknown (artist nationality) Callot, Jacques, 1592-1635 (original artist) Recto: l. l.: (within image) 7 ; More

Public domain reproduction of artwork, free to use, no copyright restrictions image - Picryl description

Marcantonio Bassetti (Italian, Verona 1586–1630 Verona) Public domain photograph of 17th century Italian drawing, free to use, no copyright restrictions image - Picryl description

Antonio Zucchi (Italian, Venice 1726–1796 Rome) Public domain photograph of 17th century Italian drawing, free to use, no copyright restrictions image - Picryl description

Marcantonio Bassetti (Italian, Verona 1586–1630 Verona) Public domain photograph of 17th-century Italian painting, free to use, no copyright restrictions image - Picryl description Public domain photograph of More

Unidentified Artist (Italian, Venice (?), 18th century) Public domain photograph of portrait painting, 14th-15th century, early renaissance, free to use, no copyright restrictions image - Picryl description P More

Daniel Nikolaus Chodowiecki (German, Danzig 1726–1801 Berlin) Public domain photograph of portrait painting, 18th century, free to use, no copyright restrictions image - Picryl description

Jan van Ossenbeeck (Dutch, ca. 1624–1674) Public domain scan of 17th-century drawing, free to use, no copyright restrictions image - Picryl description

Marchigian artist near Filippo Bellini (Italian, Urbino 1550/55–1604 Macerata) The Annunciation is a biblical event in which the angel Gabriel appeared to the Virgin Mary to announce that she had been chosen t More

Public domain photo of Antique sculpture, Europe, 17th century, free to use, no copyright restrictions image - Picryl description.

Public domain photo of Antique sculpture, Europe, 16th-17th century, free to use, no copyright restrictions image - Picryl description.

Public domain reproduction of art print, 17th century, free to use, no copyright restrictions image - Picryl description.

Circle of Guercino (Giovanni Francesco Barbieri) (Italian, Cento 1591–1666 Bologna)

after Jan Steen, genre painter, 1626-1679 (artist notes) Flemish (artist nationality) draughtsman and engraver (artist role) Steen, Jan, 1626-1679 (original artist) Recto: l. l.: (just beneath image) J. Steen p More

Ruprecht Bartz (German, active ca. 1636) Public domain photograph of 17th-18th century drawing, free to use, no copyright restrictions image - Picryl description

Unidentified Artist Ming dynasty (?) (1368–1644) Public domain photograph of Chinese silk textile, free to use, no copyright restrictions image - Picryl description

Unidentified Artist Ming dynasty (?) (1368–1644) Public domain photograph of Ming dynasty archaeological object, China, free to use, no copyright restrictions image - Picryl description

Unidentified Artist Ming (1368–1644) or Qing dynasty (1644–1911) Public domain photograph of Chinese silk textile, free to use, no copyright restrictions image - Picryl description

Public domain photo of Asian art painting, free to use, no copyright restrictions image - Picryl description

French artist in the circle of Giovanni Francesco Grimaldi (Italian, Bologna 1606–1680 Rome)

Public domain photo of Asian art painting, free to use, no copyright restrictions image - Picryl description

Public domain reproduction of artwork, free to use, no copyright restrictions image - Picryl description

Public domain scan of portrait art print, free to use, no copyright restrictions image - Picryl description

In 1677, Karl XI decided to have all the flags and stands that were won as trophies in war. The purpose was to preserve the memory of these victory signs for the afterlife, even if the objects themselves would More

In 1677, Karl XI of Sweden decided to collect all the flags and stands that were won as trophies in war. The purpose was to preserve the memory of these victory signs, even if the banners and flags themselves w More

In 1677, Karl XI decided to have all the flags and stands that were won as trophies in war. The purpose was to preserve the memory of these victory signs for the afterlife, even if the objects themselves would More

In 1677, Karl XI decided to have all the flags and stands that were won as trophies in war. The purpose was to preserve the memory of these victory signs for the afterlife, even if the objects themselves would More

In 1677, Karl XI decided to have all the flags and stands that were won as trophies in war. The purpose was to preserve the memory of these victory signs for the afterlife, even if the objects themselves would More

In 1677, Karl XI of Sweden decided to collect all the flags and stands that were won as trophies in war. The purpose was to preserve the memory of these victory signs, even if the banners and flags themselves w More

In 1677, Karl XI decided to have all the flags and stands that were won as trophies in war. The purpose was to preserve the memory of these victory signs for the afterlife, even if the objects themselves would More

In 1677, Karl XI decided to have all the flags and stands that were won as trophies in war. The purpose was to preserve the memory of these victory signs for the afterlife, even if the objects themselves would More

In 1677, Karl XI decided to have all the flags and stands that were won as trophies in war. The purpose was to preserve the memory of these victory signs for the afterlife, even if the objects themselves would More

In 1677, Karl XI decided to have all the flags and stands that were won as trophies in war. The purpose was to preserve the memory of these victory signs for the afterlife, even if the objects themselves would More

In 1677, Karl XI decided to have all the flags and stands that were won as trophies in war. The purpose was to preserve the memory of these victory signs for the afterlife, even if the objects themselves would More

In 1677, Karl XI decided to have all the flags and stands that were won as trophies in war. The purpose was to preserve the memory of these victory signs for the afterlife, even if the objects themselves would More

In 1677, Karl XI of Sweden decided to collect all the flags and stands that were won as trophies in war. The purpose was to preserve the memory of these victory signs, even if the banners and flags themselves w More

In 1677, Karl XI decided to have all the flags and stands that were won as trophies in war. The purpose was to preserve the memory of these victory signs for the afterlife, even if the objects themselves would More

In 1677, Karl XI decided to have all the flags and stands that were won as trophies in war. The purpose was to preserve the memory of these victory signs for the afterlife, even if the objects themselves would More

In 1677, Karl XI decided to have all the flags and stands that were won as trophies in war. The purpose was to preserve the memory of these victory signs for the afterlife, even if the objects themselves would More

In 1677, Karl XI decided to have all the flags and stands that were won as trophies in war. The purpose was to preserve the memory of these victory signs for the afterlife, even if the objects themselves would More

In 1677, Karl XI of Sweden decided to collect all the flags and stands that were won as trophies in war. The purpose was to preserve the memory of these victory signs, even if the banners and flags themselves w More

In 1677, Karl XI decided to have all the flags and stands that were won as trophies in war. The purpose was to preserve the memory of these victory signs for the afterlife, even if the objects themselves would More

In 1677, Karl XI of Sweden decided to collect all the flags and stands that were won as trophies in war. The purpose was to preserve the memory of these victory signs, even if the banners and flags themselves w More

In 1677, Karl XI of Sweden decided to collect all the flags and stands that were won as trophies in war. The purpose was to preserve the memory of these victory signs, even if the banners and flags themselves w More

In 1677, Karl XI of Sweden decided to collect all the flags and stands that were won as trophies in war. The purpose was to preserve the memory of these victory signs, even if the banners and flags themselves w More

In 1677, Karl XI decided to have all the flags and stands that were won as trophies in war. The purpose was to preserve the memory of these victory signs for the afterlife, even if the objects themselves would More

In 1677, Karl XI decided to have all the flags and stands that were won as trophies in war. The purpose was to preserve the memory of these victory signs for the afterlife, even if the objects themselves would More

In 1677, Karl XI of Sweden decided to collect all the flags and stands that were won as trophies in war. The purpose was to preserve the memory of these victory signs, even if the banners and flags themselves w More

In 1677, Karl XI decided to have all the flags and stands that were won as trophies in war. The purpose was to preserve the memory of these victory signs for the afterlife, even if the objects themselves would More

In 1677, Karl XI of Sweden decided to collect all the flags and stands that were won as trophies in war. The purpose was to preserve the memory of these victory signs, even if the banners and flags themselves w More

In 1677, Karl XI decided to have all the flags and stands that were won as trophies in war. The purpose was to preserve the memory of these victory signs for the afterlife, even if the objects themselves would More

In 1677, Karl XI of Sweden decided to collect all the flags and stands that were won as trophies in war. The purpose was to preserve the memory of these victory signs, even if the banners and flags themselves w More

In 1677, Karl XI of Sweden decided to collect all the flags and stands that were won as trophies in war. The purpose was to preserve the memory of these victory signs, even if the banners and flags themselves w More

In 1677, Karl XI decided to have all the flags and stands that were won as trophies in war. The purpose was to preserve the memory of these victory signs for the afterlife, even if the objects themselves would More

In 1677, Karl XI decided to have all the flags and stands that were won as trophies in war. The purpose was to preserve the memory of these victory signs for the afterlife, even if the objects themselves would More

In 1677, Karl XI decided to have all the flags and stands that were won as trophies in war. The purpose was to preserve the memory of these victory signs for the afterlife, even if the objects themselves would More

In 1677, Karl XI decided to have all the flags and stands that were won as trophies in war. The purpose was to preserve the memory of these victory signs for the afterlife, even if the objects themselves would More

In 1677, Karl XI of Sweden decided to collect all the flags and stands that were won as trophies in war. The purpose was to preserve the memory of these victory signs, even if the banners and flags themselves w More

In 1677, Karl XI decided to have all the flags and stands that were won as trophies in war. The purpose was to preserve the memory of these victory signs for the afterlife, even if the objects themselves would More

In 1677, Karl XI decided to have all the flags and stands that were won as trophies in war. The purpose was to preserve the memory of these victory signs for the afterlife, even if the objects themselves would More

In 1677, Karl XI decided to have all the flags and stands that were won as trophies in war. The purpose was to preserve the memory of these victory signs for the afterlife, even if the objects themselves would More

In 1677, Karl XI of Sweden decided to collect all the flags and stands that were won as trophies in war. The purpose was to preserve the memory of these victory signs, even if the banners and flags themselves w More

In 1677, Karl XI decided to have all the flags and stands that were won as trophies in war. The purpose was to preserve the memory of these victory signs for the afterlife, even if the objects themselves would More

In 1677, Karl XI decided to have all the flags and stands that were won as trophies in war. The purpose was to preserve the memory of these victory signs for the afterlife, even if the objects themselves would More

In 1677, Karl XI decided to have all the flags and stands that were won as trophies in war. The purpose was to preserve the memory of these victory signs for the afterlife, even if the objects themselves would More

In 1677, Karl XI of Sweden decided to collect all the flags and stands that were won as trophies in war. The purpose was to preserve the memory of these victory signs, even if the banners and flags themselves w More

In 1677, Karl XI of Sweden decided to collect all the flags and stands that were won as trophies in war. The purpose was to preserve the memory of these victory signs, even if the banners and flags themselves w More