Etchings Caricatures Satires Visual Works

The interior of a bare, poverty-stricken room with a raftered roof. Pitt and Dundas, as watchmen, batter down the upper timbers of a door (right) which has been strongly bolted, locked, and barricaded. Both hav More

Pitt and Dundas, Fox and Sheridan face each other across a long narrow table, smoking long pipes and puffing clouds of smoke in each other's faces. The gallery of the House of Commons is indicated in the backgr More

Britannia, buxom and beneficent, sits on one side of the "Irish Channel." On a smaller piece of ground stands Pat, his hands deep in his coat pockets, looking sideways towards Britannia. She sits with her shiel More

Dumouriez (right) sits in a gothic chair (reminiscent of the Coronation chair), at the royal dinner-table. Three cooks advance towards him, wearing bonnets-rouges with tricolour cockades, aprons, and over-sleev More

Alecto, a fantastic hag, stands outside the Crown and Anchor tavern between a diminutive Sheridan (left), playing a fife, and Fox (right), a burly drummer, both wearing regimentals. She towers above them, holdi More

Depicted is the trial of O'Connor, who confesses to making an Irish-French alliance, before the presiding judge Buller. Testifying to the character of O'Connor are various members of the opposition. Starting at More

Outside a country ale-house, ruffians are practicing their weapons at close range on the effigy of a British soldier that is spiked on a spear (left). It wears helmet, coat stuffed with straw, and top-boots. On More

Paine lies asleep on straw on a ramshackle wooden bedstead, covered by his coat. He wears a cap and lies diagonally from left to right, facing the spectator. On the head of his bed are drawn the profile heads, More

Rodney (right) stands holding an ensign flag, looking towards three French Admirals in a state of humiliation. Their names are indicated by numbers referring to notes below the design. (1) Rodney ("Admiral Ro . More

Design in an oval. A burlesque of Reynolds's painting of Mrs. Sheridan as 'St. Cecilia.' Lady Cecilia Johnston [1727-1817] sits at the organ in profile to the right, on a low stool, her face lit by rays which d More

Design in an oval. A satire on tithes and the clergy. A tall, thin military officer, wearing a hat, gorget, and sword, carries on his shoulders an enormously fat parson dressed in gown and bands. The officer wa More

Four men, their feet cut off by the lower margin, play whist at a rectangular table. Each has one card in his hand and is about to play the last trick, the tricks piled on the table show that each side has six More

Designed in two compartments [with The National Assembly Petrified], one above the other, the figures in both being three quarter length. Here, a group of ruffians listen with delight to a cook (left) who takes More

Designed in two compartments [with The National Assembly Revivified], one above the other, the figures in both being three quarter length. Here, a ragged French barber, in profile to the right, gesticulating an More

The Duke of York leads his bride to the King and Queen, who are seated side by side on the throne (right), much caricatured, making gestures of eager greed. The King looks through a glass, the Queen holds out h More

Designed in two compartments [with The National Assembly Petrified], one above the other, the figures in both being three quarter length. Here, a group of ruffians listen with delight to a cook (left) who takes More

Designed in two compartments [with The National Assembly Petrified], one above the other, the figures in both being three quarter length. Here, a group of ruffians listen with delight to a cook (left) who takes More

Designed in two compartments [with The National Assembly Revivified], one above the other, the figures in both being three quarter length. Here, a ragged French barber, in profile to the right, gesticulating an More

A scene at a faro-table. Part of the table, including an angle of the central well, stretches across the foreground and players and spectators sit and stand behind it. Lady Archer is the most prominent; she hol More

The heads and shoulders of the King and Queen (left) and of Dundas (right) face each other. Dundas holds a letter with a broken seal postmarked Bristol. He leans forward with a satisfied and cunning smile. He w More

The heads and shoulders of the King and Queen (left) and of Dundas (right) face each other. Dundas holds a letter with a broken seal postmarked Bristol. He leans forward with a satisfied and cunning smile. He w More

Pitt, very thin, stands rigidly erect in profile to the right. Mrs. Hobart, immensely fat, completely fills a globe which stands on a rectangular platform on castors, and whose circumference rests against Pitt' More

The royal pair setting an example of economy, which appears by no means agreeable to all the family (Wright/Evans). The King, Queen, and six Princesses, three quarter length, are seated round a frugal tea-table More

Fox, a ragged sansculotte with bloodstained hands and a dagger dripping blood thrust in his belt, sings "Ca ira!" He capers, right hand on his hip, left hand held up; expression and attitude suggest quasi-intox More

Dumouriez (right) sits in a gothic chair (reminiscent of the Coronation chair), at the royal dinner-table. Three cooks advance towards him, wearing bonnets-rouges with tricolour cockades, aprons, and over-sleev More

The King and Queen, seated on the throne (left), receive with astonished horror a deputation from Turkey. An arrogant Turk stands proffering a large rolled document with pendent seals on which are crescents. Be More

Pitt as Death on the pale Horse rides naked on the White Horse of Hanover, galloping over the prostrate bodies of pigs. Other pigs, a multitude extending to the horizon, flee before him. On the horse's fringed More

Pitt (right), as a butcher, stands arrogantly behind his block, holding up a leg of mutton to a hungry, lean, and dismayed John Bull, who stands with bent knees (left), his right hand groping in his breeches po More

An enormously fat lady stands in profile to the left, holding a bowl (resembling a punch-bowl), her left hand on her hip, holding up the frilled apron which drapes her quilted petticoat. She wears ringlets with More

Grenville stands on a hearth-rug, his back to a blazing fire (right), holding up to his face an open book at which he looks sideways and near-sightedly. He raises his coat-tails to warm his bulky posteriors, hi More

On a small plateau on the top of a mountain the Princess of Wales (left) reaches up to kiss the Prince of Wales (right), who has the body, horns, and beard of a fat goat. He kneels on one knee, his forelegs rou More

A buxom girl pushes (left to right) her barrow of carrots along the pavement of Bond Street, looking over her right shoulder at Lord Sandwich ('Jemmy Twitcher'), who overtakes her and twitches her apron. He is More

Pitt (right) stands stiffly in profile to the left, holding open a large sack-like wallet. He addresses John Bull, the central figure, a stout yokel, who holds out his breeches in his left hand to Pitt, while h More

A design in two compartments. [left] Billy, in the Devil's claws: Fox as the Devil (left) grasps the thin and terrified Pitt round the waist, pointing with his left arm to a serried rank of French soldiers, lan More

Three people sit at a round table playing push-pin. The Duke of Queensberry (right) leans on the table, pushing the pin. In his right hand is a double lorgnette over which he leers at his vis-à-vis, a very corp More

Three grotesque and ill-matched soldiers charge rapidly and fiercely down the pavement. Their bayonets threaten three women who flee in terror, only legs, petticoats, and an upraised arm being visible on the ex More

Three people sit at a round table playing push-pin. The Duke of Queensberry (right) leans on the table, pushing the pin. In his right hand is a double lorgnette over which he leers at his vis-à-vis, a very corp More

John Bull stands full-face on the pavement outside a shop window, holding on his head a red cap trimmed with fur of quasi-military, quasi-libertarian shape. He is a yokel with wrinkled gaiters, with a tattered More

George III walks in back view with an awkward shuffle, his head turned in profile to the left to greet a tall general who bows. On the right, another officer waits, hat in hand, for recognition. They are Lord C More

Pitt (left) as a bank-clerk, very thin and much caricatured, a pen thrust through his wig, stands behind an L-shaped counter offering a handful of bank-notes to John Bull. In his right hand is a scoop with whic More

Fox (right), a news-boy, ragged and unshaven, stands in profile to the left, his right hand on the knocker of the gate of the 'Treasury.' He wears a bonnet-rouge on the front of which is a tricolour placard (li More

Pitt arrogantly bestrides the Speaker's chair, towering high above the galleries of the House. He plays cup (or rather spike) and ball with the globe, on which 'France' is disproportionately large, the British More

Fox (right), a news-boy, ragged and unshaven, stands in profile to the left, his right hand on the knocker of the gate of the 'Treasury.' He wears a bonnet-rouge on the front of which is a tricolour placard (li More

The Irishman, with coarse features and cropped hair, stands on a rounded hill, left arm raised oratorically, right hand on one of two pistols in his belt. He wears a round hat with a small tuft or plume tilted More

A British sailor, firmly planted astride the globe, is severely punishing Bonaparte, who, with one knee precariously on 'Turk[ey]' (Egypt), is about to fall backwards into space. Bonaparte wears a huge cocked h More

Another satire on the supposed mortification of the Whigs at the destruction of the French fleet. The leaders of the party are expressing their feelings in a variety of different ways. They had predicted a very More

Two plates from a set of twelve 'French Habits.' [Left] Fox stands full-face, hands on hips, legs astride, looking arrogantly to the right. He wears a looped hat with large ostrich feathers, long loose coat wit More

Horne Tooke, not caricatured, sits at an easel on which are juxtaposed two canvases, three-quarter length portraits of Fox (Left) and Pitt (right). He holds palette and brushes, but looks over his right shoulde More

The hoe-driver stands on the left of the line of hoers (right), who advance diagonally. The husbandman is a fat John Bull, his wife a comely woman. Beyond the 'old man' is a fifth man. On the extreme right, Gil More

Depicted is the trial of O'Connor, who confesses to making an Irish-French alliance, before the presiding judge Buller. Testifying to the character of O'Connor are various members of the opposition. Starting at More

Bust portraits of seven leaders of the Opposition, each with his almost identical double, arranged in two rows, with numbers referring to notes below the title. The first pair are Fox, directed slightly to the More

Fox stands, declaiming violently to his supporters, who surround him. He holds out a paper. His clenched right fist is raised. He is dishevelled and ragged, with a padlocked 'Begging Box' slung round his should More

A night scene with a waning moon. United Irishmen burn and plunder. On the left is the corner of a farm house with flames pouring from a casement window. A ruffian wearing a military coat, tricolour cockade and More

The hoe-driver stands on the left of the line of hoers (right), who advance diagonally. The husbandman is a fat John Bull, his wife a comely woman. Beyond the 'old man' is a fifth man. On the extreme right, Gil More

Lord Moira, rigid and impassive, stands in profile to the left, right hand on his tasselled stick, left hand on hip, wearing quasi-military dress with looped cocked hat and high boots. Clouds, so coloured as to More

An elderly courtier of the 'ancien régime' (left) bows low, in profile to the right, grimacing. His features are aquiline. He wears a high toupet wig and a large black bag (which flies into the air as he bows) More

An elderly courtier of the 'ancien régime' (left) bows low, in profile to the right, grimacing. His features are aquiline. He wears a high toupet wig and a large black bag (which flies into the air as he bows) More

An elderly courtier of the 'ancien régime' (left) bows low, in profile to the right, grimacing. His features are aquiline. He wears a high toupet wig and a large black bag (which flies into the air as he bows) More

An ugly man (left) kneels (on a spotted handkerchief) at the feet of a plain old maid seated on an upright chair. He holds her left hand, his right is on his breast. She holds up her fan in a way more encouragi More

An elderly courtier of the 'ancien régime' (left) bows low, in profile to the right, grimacing. His features are aquiline. He wears a high toupet wig and a large black bag (which flies into the air as he bows) More

A French hussar on a sorry horse flees before a well-mounted Mameluke, with a sabre in each hand, who rides him down. The Frenchman (left) turns in his saddle to hold out defensively a sabre whose blade is insc More

A tall handsome lady walks diagonally forwards from left to right, her left hand on the arm of a much shorter companion with a larger head, perhaps a young girl. The latter, though her dress is simple, has a gr More

A German officer lies on his back on a truckle bed in a poverty-stricken room. He smokes a long curved pipe, emitting clouds of smoke. His bare feet project from the striped duvet which is his only covering. On More

A fat ugly woman sits squarely on a stool, in stays and petticoat with clumsy ungartered stockings. Three women, grotesquely ugly, advance towards her, one with a cap, the other with a petticoat, a third with a More

[Top] The younger man (rather thin and fashionably dressed, wearing Hessian boots with pointed toes) stands legs astride negligently using a ramrod. A bleeding cock hangs from his waist. His companion (a fat Jo More

A hare crouches in long grass beside an old tree. The younger man (rather thin and fashionably dressed, wearing Hessian boots with pointed toes, and a cartouche-box which denotes the volunteer) runs forward dra More

A couple dance in an assembly-room. The man, active and disheveled, smaller than his immensely fat partner, holds the ends of a large spotted handkerchief, since it is impossible to grasp her waist. In the back More

An old hag sits in a carved chair with a gothic back by a vast open fire-place (right), with sticks blazing on the hearth. She uses a large knife to slice at one of her distorted toes. Beside her are a tub and More

Bonaparte stands on the sea-shore, about to embark (on 23 Aug. 1799) in a boat (left) which will take him to a ship in full sail (the 'Muiron'). He looks with a sly leer to the right, where a little band of rag More

Two panels from a sequence of eight designs, arranged in two rows, titled "Democracy - or - a Sketch of the Life of Buonaparte." [Left] Democratic Gratitude. Buonaparte heading the Regicide Banditti which had d More

A couple dance in an assembly-room. The man, active and disheveled, smaller than his immensely fat partner, holds the ends of a large spotted handkerchief, since it is impossible to grasp her waist. In the back More

Two panels from a sequence of eight designs, arranged in two rows, titled "Democracy - or - a Sketch of the Life of Buonaparte." [Left] Democratic Gratitude. Buonaparte heading the Regicide Banditti which had d More

A stout elderly man (three-quarter length) sits astride across a chair, his arms folded on its back. He wears a hat and holds a cane. His head is turned in profile to the left, and is seen through the wide-open More

Two panels from a sequence of eight designs, arranged in two rows, titled "Democracy - or - a Sketch of the Life of Buonaparte." [Left] Democratic courage. Buonaparte deserting his Army in Egypt for fear of the More

A fashionably dressed woman sits (left) in profile to the right, on an upright chair, while a carriage waits for her. Her loose dress, high to the neck, has two embroidered slits to reveal the breasts. A pretty More

Two panels from a sequence of eight designs, arranged in two rows, titled "Democracy - or - a Sketch of the Life of Buonaparte." [Left] Democratic Glory. Buonaparte as Grand Consul of France receiving the adula More

The younger man (rather thin and fashionably dressed, wearing Hessian boots with pointed toes, and a cartouche-box which denotes the volunteer) advances on tiptoe towards the carcass of a horse beset by many cr More

The bulky Lord Cholmondeley (1749-1827) stands in profile to the left. He wears a small round hat with long powdered hair tied back, and a whisker; a double-breasted coat over a double-breasted waistcoat, strip More

Three brothers, with similar but identical profiles, sit squeezed together in a small rustic phaeton drawn (left to right) by three prancing goats, two being wheelers. The driver is nearest the spectator. All h More

A bedroom scene. Lady Hamilton, grotesquely fat, but with traces of beauty in her features, rises from a curtained bed, arms and one leg extended in a burlesqued gesture of despair. She wears a nightgown and la More

Amateur musicians, the design based on 'Ars-Musica,' altered, and much elaborated. Four ugly and elderly men grouped round a young woman who sits, full face, at a square piano lit by a guttering candle. She lif More

The resigning Ministers issue from the arched gateway of the Treasury, led by Pitt (right) who, with an oratorical gesture, holds out a document. Behind him is Dundas (Secretary of State for War), holding Pitt' More

After the title, "dedicated to the serious attention of the Fashionable Ladies of Great Britain." An enormously fat lady flings up arms, legs, and tea-cup in terror, as her flimsy gown catches fire from a red-h More

George III, half length, stands in profile to the left, a holding a tiny Napoleon on the palm of his right hand, and inspecting him through a spy-glass. He wears military uniform with a bag-wig. The only backgr More

Britannia, terrified, faint, and dishevelled sits on the ground supported by Addington and Hawkesbury, and defended by Sheridan, a Silenus-like and ragged Harlequin. They are on the coast towards which are adva More

Five Germans seated at a round table, gormandize savagely on cabbage and sausages. Three are grossly fat and coarse-featured and plebeian; one of these (r.) has tucked the table-cloth round his neck. A lean mil More

The Duke of Portland and Mrs. Billington sit side by side on a settee. She sings to him, he listens ecstatically, with clasped hands, his head turned in profile to the right, staring with amorous intensity. She More

Five Germans seated at a round table, gormandize savagely on cabbage and sausages. Three are grossly fat and coarse-featured and plebeian; one of these (r.) has tucked the table-cloth round his neck. A lean mil More

After the title: 'Vide. The Diplomatique's late Journey through Paris.' Count Starhemberg (left), Austrian Envoy Extraordinary and Minister Plenipotentiary to England, drives in a post-chaise drawn by two gallo More

The Duke of Portland and Mrs. Billington sit side by side on a settee. She sings to him, he listens ecstatically, with clasped hands, his head turned in profile to the right, staring with amorous intensity. She More

Britannia, terrified, faint, and dishevelled sits on the ground supported by Addington and Hawkesbury, and defended by Sheridan, a Silenus-like and ragged Harlequin. They are on the coast towards which are adva More

A procession from the open door of an inn (r.) towards the room destined for the traveller. A fat, ugly, elderly woman with a twisted, appraising profile, holding up a fan in her right hand, from the little fin More

A violent disturbance in a luxuriously furnished breakfast parlour. The only lady present has risen from her chair to pull a bell-pull. The frantic efforts of five elderly men to stop her have produced a sequen More

Lord Moira, a candle in each hand, stands in the doorway of his house. He wears a dressing-gown in place of a coat He has opened the door to a young officer, who steps forward unsteadily raising his cocked hat. More

The King and Queen sit on chairs of state intently watching a rectangular tank in which Napoleon as Gulliver sails his little boat, manoeuvring the single sail. Behind the King's chair Lord Salisbury stands sti More

A violent disturbance in a luxuriously furnished breakfast parlour. The only lady present has risen from her chair to pull a bell-pull. The frantic efforts of five elderly men to stop her have produced a sequen More

The King steps forward to embrace the Prince of Wales, who throws himself into his father's arms. George III wears court dress, the Prince's dress is tattered and disheveled, his pocket hangs inside out, the ga More

The Prince of Wales and McMahon ride side by side (r. to left.) past Carlton House, followed by a groom. The Prince, stout and dignified, sits very upright on a high-stepping horse. McMahon's much smaller mount More

A fat elderly man in a hunting-cap has dismounted under an oak tree to have his fortune told by a ragged old gypsy woman, who reads his hand. He listens, surprised and delighted, while another gypsy, kneeling b More

The Prince of Wales and McMahon ride side by side (r. to left.) past Carlton House, followed by a groom. The Prince, stout and dignified, sits very upright on a high-stepping horse. McMahon's much smaller mount More