Similar
Lend to Defend the Right to be Free - Buy National Savings Certificates Art.IWMPST15576
Georges Gaudy01, Art Nouveau Poster
The most important wheels in America
Avoid that risk... and you avoid this ride. Back up our battleskies^ - NARA - 535355
These Boys Must Kill or Be Killed. Their Lives Depend on Your Work - NARA - 534294
Thans kunt u zonder (kruiwagen) een goede betrekking krijgen! Het buitenland biedt u hiertoe alle kansen!
Say! Young fellow, do you want to be a mechanic? The Motor Transport Corps will train you. Earn while you learn / George Carlson.
Ford-Model-F-and-Doctors-Car
Poster - Hoyt's A contented woman - Public domain lithograph
Related
You drive a car here--why not a transport in France? American Field Service / / H. Blyleven, Esselen.
Can you drive a car?--Will you drive one in France?--Immediate service at the front! / Gibson.
Can you drive a car?--Will you drive one in France?--Immediate service at the front! / Gibson.
French armoured cars and British transport going forward in France
A small car is parked in front of a building. France small car car.
A red car is parked in front of a church. Car auto usa.
U.S. Marine, U.S. Army, and French vehicles transport
A street sign on the side of a road. Draize france village.
[Examination of luggage on automobile, by Customs(?), France]
You drive a car here--why not a transport in France? American Field Service / / H. Blyleven, Esselen.
Summary
Poster showing men with a truck.
Public domain photograph of a car, automobile, free to use, no copyright restrictions image - Picryl description
U.S. World War I Posters. Recruiting and Enlistment. Recruiting and Enlistment. War Loans and Bonds.
Prior to the introduction of lithography, primary poster printing techniques included the Wood Block technique and the Intaglio technique. Lithography was invented by Alois Senefelder in Germany in 1796, but not utilized until the mid-to-late 1800s until the introduction of “Cheret’s three stone lithographic process.” Three stones were used to create vibrant posters with intense color and texture. The stones used were typically red, yellow or blue, which enabled the artist to produce a poster featuring both graphics and text using any color of the rainbow. The main challenge was to keep the images aligned. This method lent itself to images consisting of large areas of flat color and resulted in the characteristic poster designs of this period. The first “Art Nouveau” poster was made by Chezch artist Alphonse Mucha who worked in Paris. Art Nouveau and Belle Epoque dominated Paris until about 1901. In 1898, a new artist took Paris by storm, who would later be donned the father of modern advertising – Leonetto Cappiello.