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The Castel Sant'Angelo and the Pont Sant'Angelo in Rome, various boats unloading to right, two pilgrims with children seated to left, from 'Varie figure'
Plate 3: two horsemen crossing a river to right, a woman with two baskets atop a donkey to left, trees to the left and right, a bridge in the background, from 'Various landscapes' (Divers paysages)
Two female figures seated in the clouds flanking an angel and another flying above carrying a banderole
Plate 8: two horsemen in hats at right, each with a woman seated behind them, riding towards the left in profile across a river, a tree at far right, from 'Caprice faict par de la Bella'
Aile droite du château de Saint-Cloud, façade donnant sur le grand parc, Saint-Cloud.
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Plate 3: two horsemen crossing a river to right, a woman with two baskets atop a donkey to left, trees to the left and right, a bridge in the background, from 'Various landscapes' (Divers paysages)
The Grand Canal, with the Fabbriche Nuove on the Left and Campanile of Santi Apostoli on the Right
Gezicht op de Engelenburcht en de Engelenbrug over de rivier de Tiber te Rome
View of the Tiber river, a large tree to left, two groups of women to left in the foreground, a bridge leading to the Castello Sant'Angelo to left, above which a large flag is hoisted, clouds of gunsmoke to right and left of the castle
Summary
Public domain scan of 17th-18th century Italian print, free to use, no copyright restrictions image - Picryl description
Florentine artist Stefano Della Bella was among the best etchers of the Italian Baroque. He created about 1,050 prints and thousands of drawings. His earlier work was greatly influenced by the French Jacques Callot (1592-1635) who worked for the court of the Medici. Three of Stefano’s older brothers were artists. Della Bella probably learned etching from Remigio Cantagallina (1582/3-1656), who had been Callot’s teacher. Della Bella’s earliest prints date from around 1627. Della Bella received the patronage and a stipend from Lorenzo de’ Medici and studied in Rome. In 1639 he journeyed to Paris where Della Bella collected prints by Northern European artists, copied works by Rembrandt. He received commissions from Cardinals Richelieu and Mazarin. His prints were innovative, seeming to look forward to the Rococo. Della Bella also engraved views of Paris. He visited Amsterdam in 1647. French anti-Italian feeling during the Fronde and the death of Mazarin during the late 1640s led to della Bella’s return to Florence. Della Bella produced some of his best work after his return. Della Bella is known to have illustrated some discoveries for Galileo and depicted Hansken the famous elephant, when dead. In his final years, he produced a number of prints experimenting with tonal effects attempting to achieve drawing effects in etching. In 1661 he appears to have suffered a stroke, after which he produced little work.
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- Castel Sant Angelo, ca. 1634. Creator: Stefano della Bella
- Castel Sant Angelo, ca. 1634. Creator: Stefano della Bella
- Castel Sant Angelo, Rome, c. 1634. Creator: Stefano della Bella
- Pillow of Castel Sant Angelo, Rome, c. 1634 - Media Storehouse
- Canvas Print of Castel Sant Angelo, ca. 1634. Creator