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Related
View of Brooklyn, L.I. from U.S. Hotel, New York / drawn from nature & on stone by E. Whitefield ; printed in colors by F. Michelin.
Public domain image of New york city cityscape, free to use, no copyright restrictions image - Picryl description
Bird's eye view of New-York & Brooklyn / drawn from nature & on stone by J. Bachman[n].
New York from Staten Island Brooklyn City Jersey City New York from Staten Island / / sketched and drawn on stone by C.W. Burton.
View of Brooklyn, L.I. From U.S. Hotel, New York.
Bird's eye view of New-York & Brooklyn / drawn from nature & on stone by J. Bachman[n].
Bird's eye view of New-York & Brooklyn / drawn from nature & on stone by J. Bachman[n].
New York from Staten Island Brooklyn City Jersey City New York from Staten Island / / sketched and drawn on stone by C.W. Burton.
View of Baltimore, Md. from Federal Hill / drawn from nature and engraved by E. Whitefield, [lith] by F. Michelin, 111 Nassau St., N.Y.
View of Brooklyn, L.I. from U.S. Hotel, New York / drawn from nature & on stone by E. Whitefield ; printed in colors by F. Michelin.
Summary
Picryl description: Public domain photograph of a historic city, cityscape, street view, buildings, 19th-century architecture, free to use, no copyright restrictions.
Alois Senefelder, the inventor of lithography, introduced the subject of colored lithography in 1818. Printers in other countries, such as France and England, were also started producing color prints. The first American chromolithograph—a portrait of Reverend F. W. P. Greenwood—was created by William Sharp in 1840. Chromolithographs became so popular in American culture that the era has been labeled as "chromo civilization". During the Victorian times, chromolithographs populated children's and fine arts publications, as well as advertising art, in trade cards, labels, and posters. They were also used for advertisements, popular prints, and medical or scientific books.