Transactions of the Bristol and Gloucestershire Archaeological Society (1883) (14788255583)
Summary
Identifier: transactionsofbr8188bris (find matches)
Title: Transactions of the Bristol and Gloucestershire Archaeological Society
Year: 1883 (1880s)
Authors: Bristol and Gloucestershire Archaeological Society. cn
Subjects: Bristol and Gloucestershire Archaeological Society
Publisher: Bristol, Eng. : The Society
Contributing Library: Allen County Public Library Genealogy Center
Digitizing Sponsor: Internet Archive
Text Appearing Before Image:
h St.Ebrulfus 1 3. In further support of this identity may be alleged theiretymological connection. Sir John Maclean, in a foot note toMr. Allens paper on St. Briavels Castle, quotes an Inquisition ofthe 10th Edw. II., upon the death of Ralph de Hatheway which,referring to his farm at Rodmore as of the manor of St.Briavels,! names it St. Breauell —a form identical withBreval; u and v being the same, or at least interchangeable, inwriting; as e and ea and ia are in pronunciation. Therefore, Briavel and Breauell are identical with Breval.By abbreviation they all become Brevl. By dialectic change ofvowel sound, Bruvl. By interchange of labial, Brufl. By trans-position of consonants, for the more euphonious collocation of theliquid, Brulf. By the favorite French prefix of e to an initialconsonant (as Stephanus becomes Etienne, and Biscop evesque)Brulf becomes Ebrulfe = Ebrulfus. Even, as by interchange oflabials, Ebrulfus = Ebrulfe undoubtedly became Evroult.^ 1 Ante Vol. Ill, p. 353. i
Text Appearing After Image:
Font at Hinton Paeva. 153 FONT AT HINTON PARVA, WILTSHIRE.By The Rev. Prebendary SCARTH, M.A. The plan and ornamentation of this Font appear to be Norman,The Bowl may be divided into three portions. The upperconsists of an arcade apparently late Norman. Below this is anornamental band. The central is ornamented with a twistedpattern of vine branches and leaves. In the centre of this is thefigure of a lamb standing, and a bird, probably a dove. From themouth of the lamb proceeds the vine branch, this is continuedround from the east, and on the north side are two birds and twofishes and an eel or a serpent. Below this is an ornamental border,the lower portion having circular ornaments (See PI. X.). The ornamentation of Norman fonts is so varied that it isdifficult to explain the meaning. Sometimes symbolical some-times legendary. Here the lamb and the dove seem to indicatechristian symbols,—atonement and sanctification. The fish, thebirds (intended for water fowl), and the eel, seem t