Similar
Isaac Weissenbruch - Gezicht op de rivier de Lek te Culemborg
Lachryma Montis SW Shaw
US-NBN-DE-state seal detail (Series 1882BB reverse) proof
CROQUIS D'ÉTÉ 43.L'agrément d'une promenade sur les bords de la seine pendant un dimanche de la canicule.
John Horsburgh - Milan - B1977.14.7828 - Yale Center for British Art
La chapelle du château d'Hougourmont (BM 1923,0120.10)
Feuille 6/(21 décembre 1870) Batterie de la Croix de Flandres (Route du Bourget)/Fabrique de noir animal (Route du Bourget)/La Suifferie (Route du Bourget)
176 of 'Old and New London, etc' (11132338994)
Plate four, from Radierversuche - Art Institute of Chicago
Related
George Hunt - View on the Thames - B1977.14.18527 - Yale Center for British Art
John Renton - Luggila, County of Wicklow - B1975.4.1840 - Yale Center for British Art
John Linnell - Llanberis, North Wales - B1975.4.628 - Yale Center for British Art
Thomas Day - Portrait of a Lady - B1974.2.31 - Yale Center for British Art
Thomas Sandby - Rockhewn Temple of Elephanta - B1975.3.192 - Yale Center for British Art
Thomas Hastings - Window of the High Altar, St Augustine's - B1977.14.2369 - Yale Center for British Art
Thomas H Shepherd - The Houses of Parliament - B1986.29.218 - Yale Center for British Art
George Wallwyn Shepheard - A Regency House - B1975.2.626 - Yale Center for British Art
J M W Turner - Glaucus and Scylla - B1977.14.8194 - Yale Center for British Art
Thomas Goff Lupton - Stangate Creek, on the River Medway - B1977.14.8289 - Yale Center for British Art
Summary
Public domain scan of a print with maritime landscape, ship in the harbor, sea, free to use, no copyright restrictions image - Picryl description
Thomas Goff Lupton was indeed an English mezzotint engraver and artist, born in 1791 and passing away in 1873. He was known for his work in the medium of mezzotint engraving, a technique used for creating tonal images through the manipulation of light and dark areas. Lupton's works often depicted landscapes, portraits, and other subjects typical of the period. Mezzotint engraving was particularly popular in the 18th and 19th centuries for its ability to produce rich, velvety tones, making it well-suited for reproducing paintings and other artworks.