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The Vision of Ezekiel; a group of corpses and skeletons emerging out of tombs, above them five winged putti holding a banderole
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The Skeletons, a group of emaciated men and women gathered around a skeleton laid on the ground and a figure of Death as a winged skeleton standing above it holding an open book
The Skeletons, a group of emaciated men and women gathered around a skeleton laid on the ground and a figure of Death as a winged skeleton standing above it holding an open book
A group of emaciated men and women gathered around a skeleton laid on the ground and a figure of Death as a winged skeleton standing above it holding an open book
The Vision of Ezekiel; a group of corpses and skeletons emerging out of tombs, above them five winged putti holding a banderole
Summary
Public domain photo of Italian art print or drawing, free to use, no copyright restrictions image - Picryl description
Printmaking in woodcut and engraving came to Northern Italy within a few decades of their invention north of the Alps. Engraving probably came first to Florence in the 1440s, the goldsmith Maso Finiguerra (1426–64) used the technique. Italian engraving caught the very early Renaissance, 1460–1490. Print copying was a widely accepted practice, as well as copying of paintings viewed as images in their own right.
- Giorgio Ghisi | The Vision of Ezekiel - The Metropolitan Museum of Art
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Tags
giovanni battista bertano
giorgio ghisi
engraving
prints
giorgio ghisi 1515 1582
giovanni battista bertano 1516 1576
caryatids
corpses
skeletons
putti
the elisha whittelsey collection the elisha whittelsey fund
after giovanni battista bertano
vision
ezekiel
group
tombs
banderole
16th century
italian art
high resolution
ultra high resolution
mantua
metropolitan museum of art
medieval art
italian renaissance
apennine peninsula
Date
1554
in collections
Source
Metropolitan Museum of Art
Link
Copyright info
Creative Commons CC0 1.0 Universal Public Domain Dedication ("CCO 1.0 Dedication")