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The Three Holy Women Going to the Sepulchre

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Summary

Public domain scan of 15th-16th century print, free to use, no copyright restrictions image - Picryl description

Printmaking in woodcut and engraving came to Northern Italy within a few decades of their invention north of the Alps. Engraving probably came first to Florence in the 1440s, the goldsmith Maso Finiguerra (1426–64) used the technique. Italian engraving caught the very early Renaissance, 1460–1490. Print copying was a widely accepted practice, as well as copying of paintings viewed as images in their own right.

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agostino veneziano agostino dei musi engraving prints agostino veneziano agostino dei musi 1490 1536 raphael raffaello sanzio or santi 1483 1520 raphael raffaello sanzio or santi the elisha whittelsey collection the elisha whittelsey fund high resolution agostino veneziano ultra high resolution renaissance art italian renaissance metropolitan museum of art medieval art apennine peninsula raffaello santi raphael
date_range

Date

1514 - 1536
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in collections

Italian Prints

Set of random Italian prints from NYPL collection
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Source

Metropolitan Museum of Art
link

Link

https://www.metmuseum.org/
copyright

Copyright info

Creative Commons CC0 1.0 Universal Public Domain Dedication ("CCO 1.0 Dedication")

label_outline Explore Agostino Veneziano Agostino Dei Musi, Agostino Veneziano Agostino Dei Musi 1490 1536, Raphael Raffaello Sanzio Or Santi 1483 1520

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agostino veneziano agostino dei musi engraving prints agostino veneziano agostino dei musi 1490 1536 raphael raffaello sanzio or santi 1483 1520 raphael raffaello sanzio or santi the elisha whittelsey collection the elisha whittelsey fund high resolution agostino veneziano ultra high resolution renaissance art italian renaissance metropolitan museum of art medieval art apennine peninsula raffaello santi raphael