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Related
Couple Walking to the Left (VI), from The Wedding Dancers (restrike)
Allégorie pour la commémoration d'un mariage : l'Amour couronne deux coeurs sur l'autel de l'Amitié ; à droite, le Temps a brisé sa faux et se laisse enchaîner par les Amours
Apulian amphora or pelike, possibly depicting a marriage scene, with a seated woman at left holding an open cista, a standing male facing her holding a situla in his left hand and an unknown object in his right hand; and an erotes with a wreath hovering over the couple
The Funeral (Les Obseques): various satyrs gathered in a clearing, funeral pyre to left, a freshly dug grave and a tomb decorated with satyr heads and antlers in center, upon which musicians are seated, from 'The lives of satyrs' (La vie des satyres)
The Clarisses (left) where the old people died like flies after bad treatment from the Germans in the occupied districts of France. At the right is an old 12th century castle. In the center is the tower of the old village church
The Clarisses (left) where the old people died like flies after bad treatment from the Germans in the occupied districts of France. At the right is an old 12th century castle. In the center is the tower of the old village church
Gesänge zur romantisch-komischen Singspiel, das Waldweibchen : erster Theil in drey Aufzügen, als Seitenstück vom Donauweibchen
Gesänge zur romantisch-komischen Singspiel, das Waldweibchen : erster Theil in drey Aufzügen, als Seitenstück vom Donauweibchen
Marriage A-La-Mode (Plate VI) [The Death of the Countess]
The Marriage (Le Mariage): in a forest, an old satyr marries the betrothed in center, musicians to right, old satyrs with canes to the left, a couple consulting an old philosopher to left in the foreground, from 'The lives of satyrs' (La vie des satyres)
Summary
Claude Gillot (French, Langres 1673–1722 Paris)
Public domain scan of 17th-century etching print, free to use, no copyright restrictions image - Picryl description
Public domain scan of 18th-century etching print, free to use, no copyright restrictions image - Picryl description
Claude Gillot was a French painter, engraver and designer, born in Langres in 1673. He is best known for his work as a painter and decorator, particularly for his designs for the Paris Opera. Gillot was also a successful portrait painter and produced a number of works in this genre. Gillot was trained in the Flemish style and was strongly influenced by the work of Flemish painters such as Rubens and Van Dyck. He moved to Paris in the early 1690s and quickly established himself as a successful artist, working for a number of prominent patrons including the Duke of Orléans. In addition to his work as a painter, Gillot was also an accomplished engraver and produced a number of prints based on his own designs. He was particularly adept at creating intricate and detailed compositions full of movement and energy. Gillot died in Paris in 1722, aged 49. Despite his relatively short career, he left behind a significant body of work that is highly regarded by art historians and collectors alike. His work continues to be celebrated for its technical skill, inventiveness and sense of humour and whimsy.
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