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Andrea Schiavone - The Immaculate Conception

description

Summary

In Mariette Album, folio 24, bottom right

Andrea Schiavone (Andrea Meldola) (Italian, Zadar (Zara) ca. 1510?–1563 Venice)

Printmaking in woodcut and engraving came to Northern Italy within a few decades of their invention north of the Alps. Engraving probably came first to Florence in the 1440s, the goldsmith Maso Finiguerra (1426–64) used the technique. Italian engraving caught the very early Renaissance, 1460–1490. Print copying was a widely accepted practice, as well as copying of paintings viewed as images in their own right.

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Tags

andrea schiavone etching prints immaculate conception 16th century italian art high resolution ultra high resolution il schiavone metropolitan museum of art medieval art italian renaissance apennine peninsula
date_range

Date

1539 - 1542
collections

in collections

Italian Prints

Set of random Italian prints from NYPL collection
create

Source

Metropolitan Museum of Art
link

Link

http://www.metmuseum.org/
copyright

Copyright info

Public Domain Dedication (CC0)

label_outline Explore Andrea Schiavone, Conception, Immaculate

[Immaculate conception] - Drawing. Public domain image.

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[Photogenic Drawing from Leaf] - Early photography, Public domain image

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Church of the Immaculate Conception, 1020 North Front Street, Philadelphia, Philadelphia County, PA

Queen Trisala's Joy (at the Confirmation of Her Conception): Folio from a Kalpasutra Manuscript

Immaculate Conception Seminary, Huntington, Long Island. Altar detail

Topics

andrea schiavone etching prints immaculate conception 16th century italian art high resolution ultra high resolution il schiavone metropolitan museum of art medieval art italian renaissance apennine peninsula