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The humours of Belvoir Castle, or the morning after / Woodward del. ; etch'd by Cruikshank., British Cartoon Print

description

Summary

Print shows a number of encounters, in two panels, between men and women either off to bed or awakened to the horrors of the night before: the first, an old man on the arm of an old woman, says, "Och! Long life to Belvoir Castle ... and now heres a polite Damsel, going to shew me to bed in the morning!" to which the woman responds, "Come along sir ... bless me I would not have my Lady to see me for the World! She would never have an opinion of my virtue again." The second encounter has a rather homely man discovering by candlelight that he has slept with an African woman who tells him, "...you did, and you be very pretty man." The third encounter shows an old man exclaiming that he has often heard that his wife "wore the Breeches and now I am convinced of it" as he catches sight of her in her nightdress, one breast exposed, and a man's breeches around her shoulders, and she thinking "I shall now escape without detection" of her adulterous activities. The top panel closes with an old man sitting at a table having tea with a young couple, the young man, a rake, proposes to "...read you a passage in Shakespeare's Twelfth Night - there is something peculiarly whimsical and interesting in the Character of Malvolio" to which the young woman replies, "...for like Malvolio I perceive you are cross garter'd" and the old man exclaims, "Cross garter'd, why Tom has got on a Lady's Stocking - there must be some cursed mistake in this." The bottom panel continues in this vein with a man on one knee appealing to a plump woman, "Shew me to bed - or give me something to drink - great lump of loveliness - devine Cherry-bum, - hear me! - give me some drink, thou mighty Castle Spectre!" The next encounter has a husband and wife embracing in the dark, he thinking "...I should know her voice from a thousand" after hearing her speak, "I am glad I have found you my Dear, I persuaded my Husband to let us have separate rooms, as he complain'd of being very ill, - bless me how dark it is, why don't you speak?" Next an uncle and a nephew confronting each other in the morning, the uncle says, "Why Jack what wickedness have you been at? You have got a Woman's Cap on!" to which the nephew replies, "Have I Uncle, and if I don't mistake, this is an under petticoat about your shoulders." Lastly, a "Bond Street Sailor" is about to lead or take "in tow" a "bashful" young woman down the path to ruin with the aid of another woman who says to her, "Why are you so bashful - I was so at first, - till I found all the fine Ladies of Fashion set us so good an example." Besides containing some puns in speech, the whole print seems to be a pun on Belvoir or beautiful view.

Inscribed in ink at end of title: the Duke of Rutland came of age.

"Folio's of caracatures lent out for the evening."

Forms part of: British Cartoon Prints Collection (Library of Congress).

It wasn't really until the 1700s that caricature truly blossomed as a form of political criticism. In the late 1750s, a man named Thomas Townshend began using the techniques employed by earlier engravers and applying them towards a political model. This gave Thompson's cartoons a much greater feeling of propaganda than previous artistic critiques of the time. The intense political climate of the period, and often accusatory nature of most political cartoons forced many artists to use pseudonyms in order to avoid accusations of libel. Other artists took it a step farther, and left their cartoons completely unsigned, foregoing any credit they may have received. Political higher-ups were notoriously touchy about their reputations and were not afraid to make examples of offenders. Puck was the first successful humor magazine in the United States of colorful cartoons, caricatures and political satire of the issues of the day. It was published from 1871 until 1918.

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Tags

relations between the sexes england intoxication clothing and dress etchings hand colored puns visual works british satires visual works old england humours belvoir castle belvoir castle woodward cruikshank 1799 prints 18th century history of england cartoon prints british isaac cruikshank g m george moutard woodward ultra high resolution high resolution aristocracy etching duke library of congress
date_range

Date

1700 - 1800
person

Contributors

Cruikshank, Isaac, 1756?-1811?, engraver
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
collections

in collections

The Golden Age of Political Cartoons

British and American political cartoons from 18th century.
place

Location

Old England ,  17.99358, -77.46606
create

Source

Library of Congress
link

Link

http://www.loc.gov/
copyright

Copyright info

No known restrictions on publication.

label_outline Explore Puns Visual Works, G M George Moutard Woodward, Humours

Topics

relations between the sexes england intoxication clothing and dress etchings hand colored puns visual works british satires visual works old england humours belvoir castle belvoir castle woodward cruikshank 1799 prints 18th century history of england cartoon prints british isaac cruikshank g m george moutard woodward ultra high resolution high resolution aristocracy etching duke library of congress