The entombment, Parmigianino. Girolamo Francesco Maria Mazzola, Italian.
Summary
Print shows Jesus Christ being supported by Joseph of Arimethia as Mary Magdalene gives comfort to the grieving Virgin Mary.
Title from Graphic sampler / compiled by Renata V. Shaw, Prints and Photographs Division. Washington : Library of Congress, 1979, p. 25.
Attributed to Andrea Schiavone (Andrea Meldolla).
After Parmigianino.
Formerly attributed to: Andrea Andreani, approximately 1560-1623; see Graphic sampler no. 16 and no. 58.
Impression from woodcut before lettering.
Print originally part of Pembroke album, no. 16.
Graphic sampler, p. 25
Printmaking in woodcut and engraving came to Northern Italy within a few decades of their invention north of the Alps. Engraving probably came first to Florence in the 1440s, the goldsmith Maso Finiguerra (1426–64) used the technique. Italian engraving caught the very early Renaissance, 1460–1490. Print copying was a widely accepted practice, as well as copying of paintings viewed as images in their own right.
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