The botanical atlas (Plate XV) (7349117844)
Summary
PHANEROGAMS
CH1CKWEED
PLATE XV
Fix/. 1 Inflorescence - jty. z Cfrasmm-aLulwtOTnoiis Cyme
a Didw famous Cyme
DIAGRAM Vhm. oC Flower
Arts
Axts Fig. 3 Vertical section of Flower
Petal , .
.Sepal.
-Stamen.
Ovary with,
numerous Ovules
Flower stalk
Ca.5 Co. 5 In. 10 'to 5 or less Gn.. (3.
ID;
'Node-
Line, of hairs
Main. Axis
Fig. 6 Stamen
Fig. 7 Gynccctum (*10)
Styles 13)
Fig. 4. Foliage Leaves
Fig. 5 Floral Leaves
a.. Sepal inner view f +10. b. Fetal (. 10 J
\Anther
\ Hutment
§
Ovary
I
\/
^Glandular
swelling
Fig. 8 Transverse section of Ovary
& CLa Ovules allocked to
v CAU free central
placentas
Fig. 10 Seed in Optical section.
Fig.9Lriat-a Capsule (*10)
Valves of Capsule.
Sepals persistent
Fig. 12 Fink-Lixmthus in first condition
Fig. 11 Section of Seed
Stamens mature
Curved Etnbrvo
Fin. 13 Fink in second condition Fin. 15 'Vertical section of same „ ' . „ . , „
Fig.14- Campion (Lychnis) Mak flower _ F & 16 Campion -Femnlz flower
Stigmas MaJuri
Corona, or
Llgular appendag
.Stamens (ID.
■ Stigmas IS/-
Eugrecwa, Printed and Published "by W k AX. Johnston, Edinbur^x 8c London.
This large AI-assisted collection comprises about 60,000 images of botanical drawings and illustrations. It spans from the 14th to 19th century. As of today, we estimate the total number of botanical illustrations in our archive as 200,000 and growing. The "golden age" of botanical illustration is generally considered to be the 18th and 19th centuries, a time when there was a great deal of interest in botany and a proliferation of botanical illustrations being produced. During this period, many of the great botanical illustrators of the time, such as Maria Sybilla Merian, Pierre-Joseph Redouté, and John James Audubon, were active and produced some of the most iconic and influential botanical illustrations of all time. In addition to being used for scientific purposes, botanical illustrations were also highly prized for their beauty and were often used to decorate homes and other public spaces. Many of the most famous botanical illustrations from this period are still admired and collected today for their beauty and historical significance. All large Picryl collections were made possible with the development of neural image recognition. We made our best to reduce false-positive image recognition to under 5%.