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Francesco Bartolozzi - The Archangel Gabriel

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Summary

Public domain scan of 16th-17th-century print, free to use, no copyright restrictions image - Picryl description

Printmaking in woodcut and engraving came to Northern Italy within a few decades of their invention north of the Alps. Engraving probably came first to Florence in the 1440s, the goldsmith Maso Finiguerra (1426–64) used the technique. Italian engraving caught the very early Renaissance, 1460–1490. Print copying was a widely accepted practice, as well as copying of paintings viewed as images in their own right.

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francesco bartolozzi domenichino domenico zampieri niccolo vanni engraving etching prints stipple engraving stippling francesco bartolozzi 1728 1815 domenichino domenico zampieri 1581 1641 niccolo vanni 1750 1770 archangel gabriel gift of bessie potter vonnoh high resolution art work artwork ultra high resolution metropolitan museum of art apennine peninsula
date_range

Date

1850 - 1950
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in collections

Italian Prints

Set of random Italian prints from NYPL collection
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Source

Metropolitan Museum of Art
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Link

https://www.metmuseum.org/
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Copyright info

Creative Commons CC0 1.0 Universal Public Domain Dedication ("CCO 1.0 Dedication")

label_outline Explore Domenichino Domenico Zampieri, Domenichino Domenico Zampieri 1581 1641, Francesco Bartolozzi 1728 1815

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francesco bartolozzi domenichino domenico zampieri niccolo vanni engraving etching prints stipple engraving stippling francesco bartolozzi 1728 1815 domenichino domenico zampieri 1581 1641 niccolo vanni 1750 1770 archangel gabriel gift of bessie potter vonnoh high resolution art work artwork ultra high resolution metropolitan museum of art apennine peninsula