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Verne - Les grands navigateurs du XVIII 0241
Le bonhomme Hiver faisant plus à lui tout seul pour l'armistice Américain que / tous les diplomates réunis.
Use Fairbanks Soap. Advertising - Vintage American Trade Card
The modern atlas asking a favor of John Bull, Charles Williams
"The Negroes and the Puppets" from The Complete Works of Béranger
[African American, standing at desk, with one hand resting on papers and one hand raised]
Die Gartenlaube (1857) 453
La Grande-Bretagne ne pouvant plus rien faire de ses enfants, tant ils sont devenus volontaires!....
School for boxing, British Cartoon Print
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American slave trade; or, An account of the manner in which the slave dealers take free people from some of the United States of America, and carry them away, and sell them as slaves in other of the states; and of the horrible cruelties practised in the carrying on of this most infamous traffic : with reflections on the project for forming a colony of American blacks in Africa, and certain documents respecting that project.
The injustice and impolicy of the slave trade, and of the slavery of the Africans : illustrated in a sermon preached before the Connecticut Society for the Promotion of Freedom, and for the Relief of Persons Unlawfully Holden in Bondage, at their annual meeting in New-Haven, Sept. 15, 1791
The injustice and impolicy of the slave trade, and of the slavery of the Africans : illustrated in a sermon preached before the Connecticut Society for the Promotion of Freedom, and for the Relief of Persons Unlawfully Holden in Bondage, at their annual meeting in New-Haven, Sept. 15, 1791
The injustice and impolicy of the slave trade, and of the slavery of the Africans : illustrated in a sermon preached before the Connecticut Society for the Promotion of Freedom, and for the Relief of Persons Unlawfully Holden in Bondage, at their annual meeting in New-Haven, Sept. 15, 1791
The injustice and impolicy of the slave trade, and of the slavery of the Africans : illustrated in a sermon preached before the Connecticut Society for the Promotion of Freedom, and for the Relief of Persons Unlawfully Holden in Bondage, at their annual meeting in New-Haven, Sept. 15, 1791
The injustice and impolicy of the slave trade, and of the slavery of the Africans : illustrated in a sermon preached before the Connecticut Society for the Promotion of Freedom, and for the Relief of Persons Unlawfully Holden in Bondage, at their annual meeting in New-Haven, Sept. 15, 1791
The injustice and impolicy of the slave trade, and of the slavery of the Africans : illustrated in a sermon preached before the Connecticut Society for the Promotion of Freedom, and for the Relief of Persons Unlawfully Holden in Bondage, at their annual meeting in New-Haven, Sept. 15, 1791
The African slave trade. The secret purpose of the insurgents to revive it. No treaty stipulations against the slave trade to be entered into with the European powers. Judah P. Benjamin's intercepted instruction to L.Q.C. Lamar, styled commissioner, etc
The African slave trade. The secret purpose of the insurgents to revive it. No treaty stipulations against the slave trade to be entered into with the European powers. Judah P. Benjamin's intercepted instruction to L.Q.C. Lamar, styled commissioner, etc
The abolition of the slave trade Or the inhumanity of dealers in human flesh exemplified in Captn. Kimber's treatment of a young Negro girl of 15 for her virjen (sic) modesty., British Cartoon Print
Summary
Print shows sailor on a slave ship suspending an African girl by her ankle from a rope over a pulley. Captain John Kimber stands on the left with a whip in his hand.
Attributed to I. Cruikshank in BM CPPS.
Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6, no. 8079
Forms part of: British Cartoon Prints Collection (Library of Congress).
It wasn't really until the 1700s that caricature truly blossomed as a form of political criticism. In the late 1750s, a man named Thomas Townshend began using the techniques employed by earlier engravers and applying them towards a political model. This gave Thompson's cartoons a much greater feeling of propaganda than previous artistic critiques of the time. The intense political climate of the period, and often accusatory nature of most political cartoons forced many artists to use pseudonyms in order to avoid accusations of libel. Other artists took it a step farther, and left their cartoons completely unsigned, foregoing any credit they may have received. Political higher-ups were notoriously touchy about their reputations and were not afraid to make examples of offenders. Puck was the first successful humor magazine in the United States of colorful cartoons, caricatures and political satire of the issues of the day. It was published from 1871 until 1918.
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