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Study for the Equestrian Monument to Francesco Sforza

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Summary

Public domain scan of 16th-century drawing, free to use, no copyright restrictions image - Picryl description

Printmaking in woodcut and engraving came to Northern Italy within a few decades of their invention north of the Alps. Engraving probably came first to Florence in the 1440s, the goldsmith Maso Finiguerra (1426–64) used the technique. Italian engraving caught the very early Renaissance, 1460–1490. Print copying was a widely accepted practice, as well as copying of paintings viewed as images in their own right.

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antonio pollaiuolo drawings ink pen pricking study equestrian monument equestrian monument francesco sforza florence tuscany italian art historical images high resolution metropolitan museum of art medieval art italian renaissance apennine peninsula
date_range

Date

1000 - 1500
collections

in collections

Italian Prints

Set of random Italian prints from NYPL collection
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Source

Metropolitan Museum of Art
link

Link

http://www.metmuseum.org/
copyright

Copyright info

Public Domain Dedication (CC0)

label_outline Explore Equestrian Monument, Antonio Pollaiuolo, Pricking

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antonio pollaiuolo drawings ink pen pricking study equestrian monument equestrian monument francesco sforza florence tuscany italian art historical images high resolution metropolitan museum of art medieval art italian renaissance apennine peninsula