visibility Similar

Jacob Jordaens - Portrait of a man, formerly identified as Admiral Michiel de Ruyter

Denis-Papin - A painting of a man holding a book

Adriaen Brower - The Smokers (cropped3)

Verhens-beker van Fi-âne of Vianen

Jan van de Velde (III) - Stilleven met een glas bier en rookgerei (1658)

Print, satirical print (BM 1870,0514.2740)

Adam de Coster (Attr.) - Young mercenary with wine glass

De Nieuwe Prinselijke Schenkkan, 1708

Jan Thomas van Kessel - Figures in a tavern interior drinking and smoking

code Related

Saint John the Evangelist holding a goblet with a snake emerging from it, from Christ, the Virgin, and Thirteen Apostles

Saint John holding chalice in left hand, book in right, eagle standing by left side

Saint John the Evangelist holding a goblet with a snake emerging from it, from Christ, the Virgin, and Thirteen Apostles

Plate 4: Saint John with his head turned three-quarters to the left, with a book in his right hand and an eagle at his feet, from 'The four evangelists'

St Jerome kneeling before a crucifix, a skull in his left hand, a lion laying at the left

St. John, seated and holding a writing instrument to a tablet, an eagle with outstretched wings below his legs, from a series of the four evangelists after Agostino Veneziano, which are in turn after Giulio Romano

The Evangelist St. John writing, with his symbol the eagle

The Evangelist St. John with his symbol the eagle

Saint Simon seen from behind, turning to the right and holding a saw, in an oval frame, from Christ, the Virgin, and Thirteen Apostles

St. John the Evangelist, striding in three-quarter view toward the left and holding a chalice with snakes in his right hand, an eagle stands behind his right leg

description

Summary

Public domain image of a 16th-17th-century print, mannerism, free to use, no copyright restrictions image - Picryl description.

Printmaking in woodcut and engraving came to Northern Italy within a few decades of their invention north of the Alps. Engraving probably came first to Florence in the 1440s, the goldsmith Maso Finiguerra (1426–64) used the technique. Italian engraving caught the very early Renaissance, 1460–1490. Print copying was a widely accepted practice, as well as copying of paintings viewed as images in their own right.

label_outline

Tags

parmigianino etching prints after parmigianino john evangelist view chalice snakes hand right hand eagle leg 15th century italian art high resolution apostles christianity new testament engraving late renaissance mannerism metropolitan museum of art apennine peninsula
date_range

Date

1520 - 1600
collections

in collections

Italian Prints

Set of random Italian prints from NYPL collection
create

Source

Metropolitan Museum of Art
link

Link

http://www.metmuseum.org/
copyright

Copyright info

Public Domain Dedication (CC0)

label_outline Explore After Parmigianino, Chalice, Leg

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Bacchus standing in a niche holding grapes in his raised right hand, fruit in his left hand, a dog lower right

Photo of Chalice, 18th century - Public domain dedication

Parmigianino 03 - Public domain portrait painting

Etruscan Chalice, Italy - Public domain museum image. A wooden bowl on a pedestal on a gray surface

Greek Chalcedony cone, Greece, Classical period

Johannes der Evangelist, Heiliger

Grotesque with an Architectural Structure with a Young Boy on a Bed, Holding a Snake.

A Nereid Riding a Sea Centaur Accompanied by Other Sea Creatures

Jean Lepautre - Schenkkan naar rechts gekeerd

Man with injured right leg stands clothed in shirt, vest and pants, with arms crossed

Dirk Volckertsz Coornhert - Dan, from the series The Twelve Patriarchs

Topics

parmigianino etching prints after parmigianino john evangelist view chalice snakes hand right hand eagle leg 15th century italian art high resolution apostles christianity new testament engraving late renaissance mannerism metropolitan museum of art apennine peninsula