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Spotprent van Volkert Sloot - Drawing. Public domain image.

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Summary

Spotprent van Volkert Sloot, rechter van Van Oldenbarnevelt; de Dood met in linkerhand een zandloper en rechterhand stok en wapen, zittend op een krokodil. In krans van bladeren. Daaronder cartouche waarin naam en daarboven nr. 21. Behorende bij serie aquarellen in boek.

The Triumph of Death was a fairly common theme for late medieval artists. Like the another theme, Memento Mori, it was intended to remind viewers of mortality and death. Triumph of Death often depicts an army of skeletons massacring people of every age and gender. Sometimes, a wild carnivalesque atmosphere was emphasized in the popular motif of the Danse Macabre, or Dance of Death. Understanding the macabre spirit of death-culture in late medieval Europe requires an understanding of the terror and panic of epidemic disease, and, more generally, a fear of catastrophe and sudden death. The population of the medieval world experienced death first-hand: wide-scale death, physical decay, and the subsequent crumbling of societal infrastructure. The Black Death was the period in Europe from approximately 1347 to 1353, when bubonic plague ravaged and initiated a long-term period of cultural trauma. In fourteenth-century Europe, the mortality rate from plague was between 50% and 90% of those people who contracted the disease. The most recent works increase estimates of the total population loss to 65% in both Asia and Europe. Previous estimates state that about one-third of the population died from the disease in the years spanning the Black Death.

In art, mementos mori are artistic or symbolic reminders of mortality. Memento mori is a Latin expression meaning "remember that you have to die". It was then reused during the medieval period, it is also related to the ars moriendi ("The Art of Dying") and related literature. Memento mori has been an important part of ascetic disciplines as a means of perfecting the character by cultivating detachment and other virtues, and by turning the attention towards the immortality of the soul and the afterlife.

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drawing drawings parchment animal material watercolor paint ink pen spotprent van volkert sloot high resolution cartoon cartoon prints death allegory of death memento mori skeleton hourglass dutch reptile crocodile military insignia rijksmuseum
date_range

Date

1708 - 1795
collections

in collections

Triumph of Death

Plaque, Disasters, expectation the Apocalypse, and macabre of Death in late medieval Europe.

Memento Mori

The Art of Dying: artistic and symbolic reminders of mortality.
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Source

Rijksmuseum
link

Link

https://www.rijksmuseum.nl/
copyright

Copyright info

Creative Commons CC0 1.0 Universal Public Domain Dedication ("CCO 1.0 Dedication")

label_outline Explore Hourglass, Skeleton, Allegory Of Death

Jan van Luxemburg en Antoon van Lalaing

US Marine Corps (USMC) Corporal (CPL) Garza, Golf Company, 2nd Battalion, 3rd Marine Regiment (2/3), uses the M98A1 Command Launch Unit (CLU) of the JAVELIN Advanced Anti-tank Weapon System Medium to look for enemy tanks during training Exercise CROCODILE 2003 at Shoalwater Bay Training Area, Australia. The CLU can provide a 9.2X magnification of the area of interest

United States Marines from the 3rd Light Armored Reconnaissance (LAR) Company Assault Battalion, 3rd Marine Division, Okinawa, Japan, aim the barrel of their Light Armored Vehicle (LAV-25) across a gully towards enemy targets (Not shown) in the Shoalwater Bay Training Area, Queensland, Australia during exercise Crocodile '99

US Marine Corps (USMC) Corporal (CPL) Bushay, 3rd Reconnaissance Battalion, 3rd Marine Division (3/3), gives a look to his team leader while putting on camouflage during training Exercise CROCODILE 2003 at Shoalwater Bay Training Area, Australia

Titelblad van een bijbel uit 1721

Schenkpiring ter nagedachtenis van Anthonia Nilo, echtgenote van Joannes van Steelant

A US Navy (USN) Landing Craft Air Cushion (LCAC) performs an amphibious assault in support of the 31st Marine Expeditionary Unit (MEU) at Freshwater Beach inside the Shoalwater Bay Training Area (SWBTA), Queensland, Australia, guided by a member of the Beach MASTER Unit (BMU) during Exercise CROCODILE 99

A U.S. Navy Landing Craft Air Cushion (LCAC-42) lands at Freshwater Beach during amphibious assault landing operations. Members of the U.S and Australian Forces are joining together to take part in exercise Crocodile '99 in the Shoalwater Bay Training Area, Queensland, Australia

Battalion Landing Team (BLT), Bravo Company 1/5, prep their Amphibious Assault Vehicles (AAV) before taking off to the range where they will fire at designated targets in the Shoalwater Training Area, Queensland, Australia in support of exercise Crocodile '99

Spotprent op Lodewijk XIV bij het vernemen dat de dood van Willem III vals is, 1690

Triomf van de faam, Philips Galle

US Marine Corps (USMC) Corporal (CPL) Robert P. Keefe, 3rd Reconnaissance Battalion, 3rd Marine Division (3/3), puts on camouflage paint before he stands for a final inspection during training Exercise CROCODILE 2003 at Shoalwater Bay Training Area, Australia

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drawing drawings parchment animal material watercolor paint ink pen spotprent van volkert sloot high resolution cartoon cartoon prints death allegory of death memento mori skeleton hourglass dutch reptile crocodile military insignia rijksmuseum