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A group of men standing in front of a store, Scene at Smithland, Kentucky
American Library Association - Libraries - New Jersey through North Carolina - Collection of A.L.A. technical books in Knights of Columbus Building. Main Camp. U.S. Naval Training Station, Pelham Bay, N.Y
Matthias Sindelar und sein Kaffeehaus
Boys, carrying home Firewood from Factory. Cincinnati. Aug. 1908. Location: Cincinnati, Ohio. / Photo by [...]
Black Bass weighing nearly 200 lbs, caught with pole, Catalina, California, U.S.A.
Photograph of Secretary of War Henry Stimson, outside the White House. - NARA - 199147
Utilization of confiscated bootleg paraphernalia
Boy crying - Glass negative photogrpah. Public domain.
DOWNEY, GEORGE E. JUDGE, COURT OF CLAIMS, 1915-1926
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A group of men standing in front of a store, Scene at Smithland, Kentucky
A group of men standing in front of a store, Scene at Smithland, Kentucky.
Men in front of store at Irvington, Kentucky
Men in front of store at Irvington, Kentucky
Scene in Smithland, Kentucky - Public domain print
A horse pulling a carriage with a number 24 on it, Scene in Smithland, Kentucky
Scene in Smithland, Kentucky. Great Depression public domain photograph.
Scene at Smithland, Kentucky - Public domain portrait photograph
Scene in Smithland, Kentucky, man, woman, and child
A group of men standing in front of a store, Scene at Smithland, Kentucky
Summary
Picryl description: Public domain photograph of worker, marketplace, vendor, 1930s, Great Depression, economic conditions, free to use, no copyright restrictions.
The FSA (Farm Security Administration) is famous for its well known influential photography program that portrayed the challenges of rural poverty. Creating false perceptions of individuals (A prime example of situational manipulation), photographers were hired to report and document the plight of poor farmers. In 1935–44, eleven photographers would come to work on this project. They were: Arthur Rothstein, Theo Jung, Ben Shahn, Walker Evans, Dorothea Lange, Carl Mydans, Russell Lee, Marion Post Wolcott, Jack Delano, John Vachon, and John Collier. In total, the black-and-white portion of the collection consists of about 175,000 black-and-white film negatives.
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