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Hieroglyphica, of, Merkbeelden der oude volkeren - namentlyk Egyptenaren, Chaldeeuwen, Feniciers, Joden, Grieken, Romeynen, enz. - nevens een omstandig bericht van het verval en voortkruypende (14562937650)

Lucas van Leyden - The Two Couples in the Forest

Hans Burgkmair I, Pilgrims at a Wayside Shrine, 1508, NGA 75316

Christoph Murer, Christ Tells His Disciples of the Last Judgment, published 1630, NGA 64396

Master MZ, The Embrace, 1503, NGA 3394

Pierre Brebiette, Dancing Nymphs and Satyrs, 1626, NGA 205395

Adriaen Collaert - Vier vissen op het strand

Adriaen Collaert, Animalium Quadrupedum, NGA 53246

L'adoration des mages - Engraving, Public domain image

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Saint Jerome Extracting a Thorn from a Lion's Paw

St. Jerome pulling a thorn out of the paw of a lion

Saint Jerome exctracting a Thorn from the Lion's Foot (copy)

Saint Jerome Extracting a Thorn from the Lion's Foot, Lyons 1508 (copy)

Saint Jerome Extracting a Thorn from the Lion's Foot, 19th century reprint

Saint Jerome Extracting a Thorn from the Lion's Foot, Lyons, 1508 (copy)

Photo of Saint Jerome with a lion - Public domain dedication

Saint Jerome in the wilderness, with a lion at left

Saint Jerome before a crucifix accompanied by a lion and three putti

Saint Jerome extracting a thorn from the lion's paw

description

Summary

Giovanni Battista Palumba (Italian, active ca. 1500–1520)

Public domain scan German Renaissance print, art, 15th-16th century, free to use, no copyright restrictions image - Picryl description

Printmaking in woodcut and engraving came to Northern Italy within a few decades of their invention north of the Alps. Engraving probably came first to Florence in the 1440s, the goldsmith Maso Finiguerra (1426–64) used the technique. Italian engraving caught the very early Renaissance, 1460–1490. Print copying was a widely accepted practice, as well as copying of paintings viewed as images in their own right.

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Tags

giovanni battista palumba prints relief prints woodblock prints saint jerome saint jerome thorn lion and paw italian art high resolution ultra high resolution engraving renaissance art italian renaissance metropolitan museum of art medieval art apennine peninsula
date_range

Date

1520
collections

in collections

Italian Prints

Set of random Italian prints from NYPL collection
create

Source

Metropolitan Museum of Art
link

Link

http://www.metmuseum.org/
copyright

Copyright info

Public Domain Dedication (CC0)

label_outline Explore Giovanni Battista Palumba, Lion And, Paw

Pictures of Extra Articles and Visitors to the Exhibition

Charles Jacque - December from Album of Rustic Subjects

Pine Sapling with Poem Card, Kubo Shunman

Cornelis Bos - Livre de Moresques, page 7 (recto)

Ornamento delle belle & virtuose donne, page 10 (recto)

Tethys reclining in a giant shell chariot pulled by two sea creatures

Il Monte. Opera Nova di Recami, page 5 (recto)

Les Singuliers et Nouveaux Portraicts... page 50 (recto)

Splendore delle virtuose giovani, page 3 (recto)

Essempio di recammi, page 19 (verso), Giovanni Antonio Tagliente

Trapping in the Adirondacks (Every Saturday, Vol. I, New Series)

Giardineto novo di punti tagliati et gropposi per exercitio & ornamento delle donne (Venice 1554), page 12 (recto)

Topics

giovanni battista palumba prints relief prints woodblock prints saint jerome saint jerome thorn lion and paw italian art high resolution ultra high resolution engraving renaissance art italian renaissance metropolitan museum of art medieval art apennine peninsula