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Saint James the Greater, Parmigianino. Girolamo Francesco Maria Mazzola, Italian.

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Summary

Public domain reproduction of a relief art print, 16th-17th century, free to use, no copyright restrictions image - Picryl description.

Printmaking in woodcut and engraving came to Northern Italy within a few decades of their invention north of the Alps. Engraving probably came first to Florence in the 1440s, the goldsmith Maso Finiguerra (1426–64) used the technique. Italian engraving caught the very early Renaissance, 1460–1490. Print copying was a widely accepted practice, as well as copying of paintings viewed as images in their own right.

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parmigianino girolamo francesco maria mazzola anton maria zanetti the elder chiaroscuro woodcuts printing blocks prints relief prints watercolors woodcuts venice parmigianino girolamo francesco maria mazzola 1503 1540 anton maria zanetti the elder 1680 1767 saint james harris brisbane dick fund high resolution parmigianino engraving late renaissance mannerism metropolitan museum of art apennine peninsula
date_range

Date

1520 - 1600
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in collections

Italian Prints

Set of random Italian prints from NYPL collection
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Source

Metropolitan Museum of Art
link

Link

https://www.metmuseum.org/
copyright

Copyright info

Creative Commons CC0 1.0 Universal Public Domain Dedication ("CCO 1.0 Dedication")

label_outline Explore Anton Maria Zanetti The Elder 1680 1767, Anton Maria Zanetti The Elder, Parmigianino Girolamo Francesco Maria Mazzola

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parmigianino girolamo francesco maria mazzola anton maria zanetti the elder chiaroscuro woodcuts printing blocks prints relief prints watercolors woodcuts venice parmigianino girolamo francesco maria mazzola 1503 1540 anton maria zanetti the elder 1680 1767 saint james harris brisbane dick fund high resolution parmigianino engraving late renaissance mannerism metropolitan museum of art apennine peninsula