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Géographie illustrée de la France et de ses colonies 129
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Related
Saalburg. Ernste Nachricht [Serious news]
Saalburg ; Auf Wache [on guard]
Commissioner's report for the allotment of Sarah Hite Clark's dower
Commissioner's report for the allotment of Sarah Hite Clark's dower
[Committee of Ministers at Strasbourg]
[Schuman Plan, Ad hoc assembly meets at Strasbourg]
[Schuman Plan, Ad hoc assembly meets at Strasbourg]
[Committee of Ministers at Strasbourg]
[Committee of Ministers at Strasbourg]
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Summary
Public domain photograph related to the history of Germany, free to use, no copyright restrictions image - Picryl description
Renaissance representation of classical ruins was a symbol of antiquity, enlightenment, and lost knowledge. Ruins spoke to the passage of time. The greatest subject for ruin artists was the overgrown and crumbling Classical Rome remains. Forum and the Colosseum, Pantheon, and the Appian Way. Initially, art representations of Rome were realistic, but soon the imagination of artists took flight. Roman ruins were scattered around the city, but frustrated artists began placing them in more pleasing arrangements. Capriccio was a style of imaginary scenes of buildings and ruins.