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Related
Plate 24: The Advance Guard of the New Roman Troops Turned Back, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas)
Plate 29: Civilis Floods the Land by Defensively Breaking the Dikes, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas)
Plate 14: New Attack on the Old Fortress, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas)
Plate 26: Cerialis Pardons and Relieves Roman Soliders who had Helped Civilis, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas)
Plate 18: Secret Meeting of Civilis with Other Leaders from Trier, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas)
Plate 22: Civilis Separates German and Dutch Troops, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas)
Plate 27: The Dutch During a Surprise Attack of the Roman Camp on the Moselle, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas)
Plate 15: Civilis Treating with a Roman Commander, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas)
Plate 25: The Roman Commander Cerialis Attacks Near Trier, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas)
Plate 23: Conference on What Steps to Take Upon the Romans' New Troops Approaching Across the Alps, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas)
Summary
Antonio Tempesta (Italian, Florence 1555–1630 Rome)
Public domain scan of Italian 17th-century print, free to use, no copyright restrictions image - Picryl description
Antonio Tempesta (1555 – 1630), was an Italian painter and engraver, whose art connects Baroque Rome and the Flemish culture of Antwerp was born in Florence. He enrolled in the Florentine Accademia delle Arti del Disegno in 1576. He was a pupil of Santi di Tito, then of the Flemish painter Joannes Stradanus. He was part of the large team of artists working under Giorgio Vasari on the interior decoration of the Palazzo Vecchio in Florence. He painted a series of turbulent and crowded battle scenes for the Medici. He also completed a series of engravings on outdoor courtly hunting scenes. When in Rome, he associated with artists from the Habsburg Netherlands. Tempesta is now best known as a printmaker in etching and engraving. He also drew many designs for tapestries.
Printmaking in woodcut and engraving came to Northern Italy within a few decades of their invention north of the Alps. Engraving probably came first to Florence in the 1440s, the goldsmith Maso Finiguerra (1426–64) used the technique. Italian engraving caught the very early Renaissance, 1460–1490. Print copying was a widely accepted practice, as well as copying of paintings viewed as images in their own right.
- Antonio Tempesta | The Metropolitan Museum of Art
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