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Plate 12: Domitian in profile to the right, from 'The Twelve Caesars'

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Summary

Public domain reproduction of art print, free to use, no copyright restrictions image - Picryl description

Printmaking in woodcut and engraving came to Northern Italy within a few decades of their invention north of the Alps. Engraving probably came first to Florence in the 1440s, the goldsmith Maso Finiguerra (1426–64) used the technique. Italian engraving caught the very early Renaissance, 1460–1490. Print copying was a widely accepted practice, as well as copying of paintings viewed as images in their own right.

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anonymous raffaello schiaminossi engraving etching prints anonymous 1572 1622 twelve caesars profiles feathers the elisha whittelsey collection the elisha whittelsey fund after raffaello schiaminossi 1572 1622 borgo san sepolcro plate domitian profile twelve caesars and roman emperor emperor roman caesar 17th century history of rome italian art high resolution ultra high resolution roman empire metropolitan museum of art ancient roman apennine peninsula
date_range

Date

1610 - 1640
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in collections

Italian Prints

Set of random Italian prints from NYPL collection
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Source

Metropolitan Museum of Art
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Link

https://www.metmuseum.org/
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Copyright info

Creative Commons CC0 1.0 Universal Public Domain Dedication ("CCO 1.0 Dedication")

label_outline Explore Anonymous 1572 1622, After Raffaello Schiaminossi 1572 1622 Borgo San Sepolcro, Twelve Caesars And

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anonymous raffaello schiaminossi engraving etching prints anonymous 1572 1622 twelve caesars profiles feathers the elisha whittelsey collection the elisha whittelsey fund after raffaello schiaminossi 1572 1622 borgo san sepolcro plate domitian profile twelve caesars and roman emperor emperor roman caesar 17th century history of rome italian art high resolution ultra high resolution roman empire metropolitan museum of art ancient roman apennine peninsula