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Pippins / Goldbeck ; painted by W.D. Goldbeck.

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Summary

Illustration shows a bust portrait of a woman, facing slightly left, next to a "pippin" apple; a woman admired.

It wasn't really until the 1700s that caricature truly blossomed as a form of political criticism. In the late 1750s, a man named Thomas Townshend began using the techniques employed by earlier engravers and applying them towards a political model. This gave Thompson's cartoons a much greater feeling of propaganda than previous artistic critiques of the time. The intense political climate of the period, and often accusatory nature of most political cartoons forced many artists to use pseudonyms in order to avoid accusations of libel. Other artists took it a step farther, and left their cartoons completely unsigned, foregoing any credit they may have received. Political higher-ups were notoriously touchy about their reputations and were not afraid to make examples of offenders. Puck was the first successful humor magazine in the United States of colorful cartoons, caricatures and political satire of the issues of the day. It was published from 1871 until 1918.

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women faces beauty adoration apples cartoons commentary magazine covers offset photomechanical prints color periodical illustrations pippins goldbeck political cartoons vintage images puck magazine puck portrait portrait bust vintage color illustrations library of congress
date_range

Date

01/01/1914
person

Contributors

Goldbeck, Walter Dean, 1882-1925, artist
collections

in collections

The Golden Age of Political Cartoons

British and American political cartoons from 18th century.
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Source

Library of Congress
link

Link

http://www.loc.gov/
copyright

Copyright info

No known restrictions on publication.

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women faces beauty adoration apples cartoons commentary magazine covers offset photomechanical prints color periodical illustrations pippins goldbeck political cartoons vintage images puck magazine puck portrait portrait bust vintage color illustrations library of congress