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The constancy of Tom Jones subdued by the charms of Black Moll..., illustration to Henry Fielding's "The History of Tom Jones, a Foundling" (Edinburgh, 1791), Vol. I (Book V, chapter 10)

The infant Jones found in the bed of Mr. Allworthy..., illustration to Henry Fielding's "The History of Tom Jones, a Foundling" (Edinburgh, 1791), Vol. I (Book I, chapter 3)

harpsichord from "The History of Henry Esmond, Esq. ... With illustrations by T. H. Robinson [and a preface by Joseph Jacobs]"

Tom Jones detects the Philsopher in Black Molls Bed Chamber..., illustration to Henry Fielding's "The History of Tom Jones, a Foundling" (Edinburgh, 1791), Vol. I (Book I, chapter 5)

Partridge Interrupts Tom Jones in his Protestations to Lady Bellaston, from "The History of Tom Jones, a Foundling" by Henry Fielding

manuscript from "The Picturesque Beauties of Devonshire ... A series of ... engravings ... by G. B. Campion, T. Bartlett, with topographical and historical notices ... by W. H. Ireland"

Sketchbook Folio, The Marriage of Henry IV, 1812–23 (CH 18124043)

upside-down-image from "Capt. Francis Champernowne, the Dutch Conquest of Acadie, and other historical papers ... Edited by A. H. Hoyt ... with historical notes. With a memoir of the author by J. W. Dean"

Henry V from "The History of the Kingdom of Scotland ... to the happy Union of both kingdoms ... in 1602 ... By Richard Burton (N. Crouch). A new edition, with woodcut portraits [of the first part of “The History of the Kingdoms of Scotland and Ireland.”] [Edited by James Caulfield.] L.P"

Partridge cruelly accused and maltreated by his Wife &..., illustration to Henry Fielding's "The History of Tom Jones, a Foundling" (Edinburgh, 1791), Vol. I (Book I, chapter 4)

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Public domain scan - 18th-century print, free to use, no copyright restrictions image - Picryl description

Thomas Rowlandson - English caricaturist of the 18th and early 19th centuries Britain, known for his humor, caricatures, satirical drawings, and watercolors, a popular artist in the Regency period in England.

English painter and caricaturist, Thomas Rowlandson (13 July 1756 – 21 April 1827) was noted for his political satire and social observation. The son of a tradesman, Rowlandson became a student in the Royal Academy. At age 16 he went to study in Paris. After establishing a studio as a portrait painter, he began to draw caricatures to supplement his income, and this soon became his major interest. Like other contemporary caricaturists, he produced erotica which was censured by the 1840s. He created comic images of familiar social types of his day and also wrote satirical verse under the pen name of Peter Pindar. His characters ranged from the ridiculous, pretentious, enormous bosoms and bottoms.

By the first half of the 18th century, Edinburgh was one of Europe's most densely populated and overcrowded towns. Various social classes shared the same urban space, even inhabiting the same tenement buildings with lower classes occupying cellars and garrets, and the more established classes occupied the more expensive middle stories. In the second half of the 18th century, the city was at the heart of the Scottish Enlightenment. It became a "hotbed of genius", a major intellectual center, "Athens of the North" because of its numerous neo-classical buildings and reputation for learning, recalling ancient Athens. From the 1770s onwards, the professional and business classes gradually deserted the Old Town in favor of one-family residences of the New Town, changing the city's social character. "Unity of social feeling was one of the most valuable heritages of old Edinburgh, and its disappearance was widely and properly lamented." Although Edinburgh's traditional industries of printing, brewing, and distilling continued to grow in the 19th century and were joined by new rubber works and engineering works, there was little industrialization compared with other cities in Britain. The Old Town became an increasingly dilapidated and overcrowded slum so Lord Provost William Chambers in the 1860s began the transformation of the central part of the city into the Victorian Old Town that exists today.

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henry fielding thomas rowlandson etching prints partridge wife wife and amp illustration henry fielding and henry fielding and history tom jones tom jones edinburgh book i chapter scotland 18th century georgian era british art edinburgh scotland free images history of edinburgh scotland high resolution british metropolitan museum of art
date_range

Date

1792
collections

in collections

Thomas Rowlandson

Georgian Era Satire

Old Edinburgh

Northern Athens of Scotland
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Source

Metropolitan Museum of Art
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Link

http://www.metmuseum.org/
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Public Domain Dedication (CC0)

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henry fielding thomas rowlandson etching prints partridge wife wife and amp illustration henry fielding and henry fielding and history tom jones tom jones edinburgh book i chapter scotland 18th century georgian era british art edinburgh scotland free images history of edinburgh scotland high resolution british metropolitan museum of art