Similar
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Binnenplaats met vrouw die trog vult bij hok van dier
Related
Palazzo delli N. N. H. H. Pisani en tuinen aan de Brenta
Palazzo delli N. N. H. H. Giovanelli aan de Brenta
Palazzo de' N N: H H: Pisani aan de Brenta
Giovanni Francesco Costa - Palazzo del N. H. Foscarini aan de Brenta
Giovanni Francesco Costa - Palazzo del N. H. Foscarini aan de Brenta
Giovanni Francesco Costa - Palazzo del N. H. Zaguri aan de Brenta
Giovanni Francesco Costa - Palazzo del N. H. Badoer aan de Brenta
Palazzo de' N. N. H. H. Mocenighi aan de Brenta
Palazzo di S. E. il Signore Principe Pio aan de Brenta
Giovanni Francesco Costa - Palazzo del N. H. Pisani aan de Brenta
Summary
Gezicht op Palazzo del N. H. Pisani aan de rivier de Brenta. Op het water vaart een trekschuit. Genummerd midden onder: XL en rechtsonder: Tom: I. Deze prent maakt deel uit van een album.
Printmaking in woodcut and engraving came to Northern Italy within a few decades of their invention north of the Alps. Engraving probably came first to Florence in the 1440s, the goldsmith Maso Finiguerra (1426–64) used the technique. Italian engraving caught the very early Renaissance, 1460–1490. Print copying was a widely accepted practice, as well as copying of paintings viewed as images in their own right.
Venice during the peak of its power.
Giovanni Francesco Costa was a multi-talented professional in the realms of architecture and stage design, primarily known for his contributions to the Venetian art landscape. He is particularly notable as an etcher, renowned for his depictions of 140 landscapes featured in the two-volume set titled 'Le Delizie del fiume Brenta,' published in 1750 and 1756. In addition to his work as an etcher, Costa's artistic endeavors extended to other domains. His contributions encompassed writings and designs related to architecture, perspective, and inventive creations inspired by the Roman architectural style.