Similar
Image-taken-from-page-220-of-ballads-and-legends-of-cheshire-collected-and-edited-by-e-l-with-illustrations-lp 11243183736 o
Portrait of Henry Cheverton (4669693)
Portrait of Governor Nelson at the age of fifteen.
Thomas Campbell by Joseph John Jenkins, published by Fisher Son & Co, after Daniel Maclise
Dzieje Polski ilustrowane. T. 5 1901 (88553988)
A life of Napoleon Boneparte- (1901) (14580427667)
Portret van Thomas Wazanini - Public domain portrait engraving
L'artiste méridional / Le baron Gros / (Musée de Toulouse) / N°1.
Braun, Jakob - Public domain portrait engraving
Related
Nel carnevale 1827 al gran teatro la Fenice per due balli, Maria Stuarda e Buondelmonte (NYPL b12147619-5094841)
Nel carnevale 1827 al gran teatro la Fenice per due balli, Maria Stuarda e Buondelmonte (NYPL b12147619-5094841)
Portrait de Marie Vernon, danseuse à l'Opéra en 1862.
Portrait de Marie Vernon, danseuse à l'Opéra en 1862. Charles Reutlinger atelier, Paris
Portrait de Moncelet, danseuse à l'Opéra entre1852 et 1862., Disderi atelier
Costume Design for the Shepherdess, for the Ballet 'Les Tentations de la Bergère, premiered at the Théâtre de Monte Carlo, 1924
Portrait de Mourawieff, danseuse à l'Opéra en 1863, dans le ballet Diavolina de César Pugni.
Lola Montez as Mariquita, in the ballet Un jour de carneval of Seville.
Portrait de Marguerite Badel, dite Rigolboche, danseuse excentrique au Théâtre des Délassements Comiques entre 1855 et 1860.
Nel carnevale 1827 al gran teatro la Fenice per due balli, Maria Stuarda e Buondelmonte.
Summary
Public domain scan of portrait art print, free to use, no copyright restrictions image - Picryl description
During Middle Ages, Church considered dance as a sin and condemned it. Records of Medieval dance are fragmented and limited, but a noteworthy dance reference from the medieval period is the allegory of the Danse Macabre. During the Renaissance, dance experienced growing popularity. Country dances, performed for pleasure, became distinct from court dances, which had ceremonial and political functions. In Germany, originated from a modified ländler, the waltz was introduced in all the European courts. The 16th century Queen of France Catherine de' Medici promoted and popularized dance in France and helped develop the ballet de cour. The production of the Ballet Comique de la Reine in 1581 is regarded by scholars as the first authentic ballet. In the 17th century, the French minuet, characterized by its bows, courtesies and gallant gestures, permeated the European cultural landscape.
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