visibility Similar

Freiheit in Krähwinkel-Nestroy als Arbeiter

Les Métamorphoses du jour p. LII

Empress Alexandra Fedorovna by Brian Searby (Middleton Album)

Achille Deveria - Costumes historiques : Dame française, XVIIe siècle, N°36

Gallery of Fashion, vol. VII: April 1 1800 - March 1 1801

BMVB - anònim - Figura femenina amb cantir - 1076

Anonymous - An English Sloop Engaging a Dutch Man of War - B1970.3.725 - Yale Center for British Art

A la campagne. / 427 Cham - Musee Carnavalet Histoire de Paris

A Republican Belle. A picture of Paris for 1794. (BM 1868,0808.6343)

code Related

"Honest Iago, my Desdemona must I leave to thee": plate 4 from Othello (Act 1, Scene 3)

Mr. Jamieson as Brutus: "I would not Cassius; Yet I love him well" (Julius Caesar Act I, Scene II)

"Therefore, be merry Cassio": plate 6 from Othello (Act 3, Scene 3)

"Away!": plate 7 from Othello (Act 3, Scene 4)

John Boydell - Miranda (Shakespeare, The Tempest, Act 1, Scene 2)

Rosalind, Oliver and Celia (Shakespeare, As You Like It, Act 4, Scene 6)

Cassandra Raving (Shakespeare, Troilus and Cressida, Act 2, Scene 2)

Cartereau dans le rôle d'Orfeo, Cauroy en Gaboardo et De Max en Homodéi, journée III, partie I, scène 3

"He smothers her": plate 13 from Othello (Act 5, Scene 2)

Mr. James Bennett as Iago: "That Cassio loves her, I do well believe it. That she love him, 'tis apt, and of great credit" (Othello, Act 3, Scene 4)

description

Summary

Public domain scan - 18th-century print, free to use, no copyright restrictions image - Picryl description

label_outline

Tags

james bennett martin and johnson new york william shakespeare engraving engravings intaglio prints line engravings prints stippling james bennett iago cassio love tis credit othello act scene 19th century high resolution ultra high resolution british british art history ancient history metropolitan museum of art
date_range

Date

1855
create

Source

Metropolitan Museum of Art
link

Link

http://www.metmuseum.org/
copyright

Copyright info

Public Domain Dedication (CC0)

label_outline Explore James Bennett, Tis, Othello

Scene from "Othello" with Paul Robeson (left) as Othello and Uta Hagen as Desdemona, Theatre Guild Production, Broadway, 1943-44

Giulio Campagnola shepherd, art by Giulio Campagnola

Cotton state Solons present demands for enactment of farm program to president. Washington, D.C., Aug 5. Led by Senator Ellison D. "Cotton Ed" Smith, of South Carolina, a delegation of congressmen from the cotton states called on President Roosevelt today and presented their demands for enactment of a farm program before congressional adjournment. After the conference a spokesman for the group told reporters he felt the president would make stabilization loans under existing discretionary powers, probably through the Commodity Credit Corporation, on all basic commodities if given "definite assurances" that a farm production control program would be enacted early next session. In the picture, left to right: Rep. William R. Poage, Texas; Rep. John J. Sparkman, Ala.; Senator Ellison D. Smith, S.C.; Rep. Rene L. De Rouen, LA.; Rep. Lyndon Johnson, Tex.; Rep. Aaron Lane Ford, Miss. and Rep. Clyde Garrett, Texas, 8/5/37

Giovanni Battista Cipriani - Sleeping Venus Cuddling a Child, Thomas Rowlandson

New FCA Governor takes oath of office. Washington, D.C., Sept. 21. Forrest F. Hill, who yesterday was named Governor of the Farm Credit Administration by President Roosevelt, was administered the oath of office today by Miss Elsie England; Secretary to the General Counsel of the FCA. Hill succeeds William I. Myers, who has returned to teaching at Cornell University, 9/21/38

Portrait of Louis XVI, 18th century

First Folio Othello - An old book with a page of text on it

George Richmond – Self-portrait, Metropolitan Museum of Art

Giovanni Battista Cipriani - Francesco Bartolozzi - The Tragic Muse

Fort Pike, 27100 Chef Menteur Highway, New Orleans, Orleans Parish, LA

Portrait of Marie Antoinette - Public domain portrait engraving

[Scene from "Othello" with Paul Robeson as Othello and Uta Hagen as Desdemona, Theatre Guild Production, Broadway, 1943-44]

Topics

james bennett martin and johnson new york william shakespeare engraving engravings intaglio prints line engravings prints stippling james bennett iago cassio love tis credit othello act scene 19th century high resolution ultra high resolution british british art history ancient history metropolitan museum of art