visibility Similar

Yosa Buson - Figures with Calligraphy of a Passage from the "Heike Monogatari" ("The Tales of Heike") - 1971.233 - Cleveland Museum of Art

Pic okami syuuran - Public domain dedication image

Ise Monogatari Emaki, Scroll III.

Shunki (Otani University Museum)

竹取物語|The Tale of the Bamboo Cutter

月波の遊び・「四月中の申の 日山王日吉祭」; 「八月朔日松尾に相撲あり」|Festivities of the Twelve Months: “Sannō Hiyoshi Festivals Held on the Day of the Monkey in the Mid-Fourth Month”; Festivities of the Twelve Months: “Sumō Wrestling at Matsuno’o Shrine during the Hassaku Festival on the First Day of the Eighth Month”

鬼教該死 25 - Public domain dedication image

明/清 周亮工 真意亭詩 冊|Poems from the Pavilion of Fundamental Truth (Zhenyi Ting)

Chinese Calligraphy, Ming dynasty, Metropolitan Museum of Art

code Related

Mi Fu Shu Su Tie, Song dynasty - Public domain dedication image

Fulko melisenda - Public domain dedication image

Bajirao's handwriting - Public domain dedication image

Schreiber - Public domain dedication image

Calligraphy of Konoe Iehiro - Public domain dedication image

Sinuhe-Maspero - Public domain dedication image

Von guten Mächten Autograph - Public domain dedication image

Yuan Empress Album Taji - Public domain portrait painting

Monkcopyistwoodcut - Public domain dedication image

Mi Fu-On Calligraphy - Public domain dedication image

description

Summary

Mi Fu placed the cursive style of the Jin dynasty (265-420) in high regards as the standard, but he was critical about that of the Tang dynasty (618-907). This work is a written discourse about the cursive style, and is done in the cursive style fully similar to that of the Jin dynasty. The content includes hints of criticism for Tang calligraphers, such as the named Zhang Xu (張旭; appearing as 張顛, because of a taboo character due to Emperor Shenzong's name), Huaisu (懷素), Gaoxian (高閑), and Bianguang (辯光).

label_outline

Tags

calligraphy in the national palace museum chinese calligraphy chinese cursive script mi fu china tang dynasty
date_range

Date

2016
create

Source

伸毫濡墨 / 楷模晉人 / 書論書. 米芾的書畫世界 (展覽). 臺北: 國立故宮博物院.
link

Link

http://commons.wikimedia.org/
copyright

Copyright info

public domain

label_outline Explore Chinese Cursive Script, Calligraphy In The National Palace Museum, Mi Fu

Three Hundred Tang Poems (101) - Public domain dedication image

William Speiden journals: Vol. 1, Mar. 9, 1852-July 2, 1854 (includes newspaper clippings from 1901 and 1946)

William Speiden journals: Vol. 1, Mar. 9, 1852-July 2, 1854 (includes newspaper clippings from 1901 and 1946)

Seventeen-Point Plan Chinese 5 - Public domain dedication image

Emperor Xian Qing illustration

William Speiden journals: Vol. 1, Mar. 9, 1852-July 2, 1854 (includes newspaper clippings from 1901 and 1946)

William Speiden journals: Vol. 2, July 3, 1854-Feb. 16, 1855

William Speiden journals: Vol. 1, Mar. 9, 1852-July 2, 1854 (includes newspaper clippings from 1901 and 1946)

Tang cavalier oiseleur - A statue of a man riding a horse

Interpretatio I. qua Characterum Sinicorum, qui in Monumento Sinico continenturpronunciatio genuina per Ltinos Characteres exprimitur.

Dapper - 1670 - Gedenkwaerdig bedryf - UB Radboud Uni Nijmegen - 180148540 824

The Elements of Geometry WDL7103

Topics

calligraphy in the national palace museum chinese calligraphy chinese cursive script mi fu china tang dynasty