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Related
Academie Royale de Musique. Melles Fuoco et Maria dans Ozaï: [Lithograph by Alexandre Lacauchie] Imp: J. Rigo, Lebraf et Cie
Melle Caroline, dans Les elfes. Théâtre de l'Opéra. [Lithograph by Alexandre Lacauchie] Lith. Godard, Paris.
Academie Royale de Musique. Melle Carlotta Grisi, rôle de Paquita, Petipa, rôle de Lucien d'Hervilly, dans Paquita 2e acte. [Lithograph by Alexandre Lacauchie] Imp. J. Rigo et Cie.
Melle. Pauline Leroux. [Lithograph by Alexandre Lacauchie] Lith. de Rigo Frères.
Théâtre de la Nation. Mlle Carlotta Grisi dans La filleule des fées, 1r acte. [Lithograph by Alexandre Lacauchie] Imp. Decan.
Melle Emma Livry, dans Herculanum. [Lithograph by Marie-Alexandre Alophe]
Melle Cerrito, dans Orfa. [Lithograph by Alexandre Lacauchie] Lith. Decan. Paris.
Acad. Royale Musique. Mlle Carlotta Grisi dans Le diable à quatre (acte 2e). [Lithograph] A. L. [i.e. Alexandre Lacauchie. Imp. J. Rigo et Cie.
Melle Adèle Dumilâtre, dans Lady Henriette. Acte II. Académie Royale de Musique. Imp: J. Rigo et Cie.
Melle Caroline Lassiat, dans La fille de marbre: Academie Royale de Musique. [Lithograph by Alexandre Lacauchie] Imp. Decan et Lebref.
Summary
Picryl description: Public domain image related to dance, musical, theater, performance, performing arts, free to use, no copyright restrictions.
During Middle Ages, Church considered dance as a sin and condemned it. Records of Medieval dance are fragmented and limited, but a noteworthy dance reference from the medieval period is the allegory of the Danse Macabre. During the Renaissance, dance experienced growing popularity. Country dances, performed for pleasure, became distinct from court dances, which had ceremonial and political functions. In Germany, originated from a modified ländler, the waltz was introduced in all the European courts. The 16th century Queen of France Catherine de' Medici promoted and popularized dance in France and helped develop the ballet de cour. The production of the Ballet Comique de la Reine in 1581 is regarded by scholars as the first authentic ballet. In the 17th century, the French minuet, characterized by its bows, courtesies and gallant gestures, permeated the European cultural landscape.
- 38 Imp Images - Public Domain Collections - GetArchive
- Costume de Melle. Taglioni, rôle de Zoloé, dans Le dieu et la ...
- Melle. Plumkett [sic], rôle de Lia, dans L'enfant prodigue, Théâtre de ...
- Melle Caroline Lassiat, dans La fille de marbre: Academie Royale ...
- Melle Caroline Lassiat, dans La fille de marbre: Academie Royale ...
- 5 Alexandre lacauchie imp Images: PICRYL - Public Domain Media ...
- Adèle Dumilâtre (fac. sig.) as Myrtha in the ballet of Giselle
- File:Melle Caroline Lassiat, dans La fille de marbre (NYPL ...
- Файл:Melle Caroline Lassiat, dans La fille de marbre (NYPL ...