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Medor and Angelica from Lodovico Ariosto's 'Orlando Furioso' or Venus and Adonis embracing, set within a landscape

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Summary

Public domain image of a 16th-17th-century print, mannerism, free to use, no copyright restrictions - Picryl description

Printmaking in woodcut and engraving came to Northern Italy within a few decades of their invention north of the Alps. Engraving probably came first to Florence in the 1440s, the goldsmith Maso Finiguerra (1426–64) used the technique. Italian engraving caught the very early Renaissance, 1460–1490. Print copying was a widely accepted practice, as well as copying of paintings viewed as images in their own right.

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giulio romano marcantonio raimondi engraving prints after giulio romano medor angelica lodovico ariosto and lodovico ariosto and orlando furioso and orlando furioso and venus adonis landscape italian art high resolution ultra high resolution bologna late renaissance mannerism erotic art metropolitan museum of art medieval art italian renaissance apennine peninsula
date_range

Date

1000 - 1500
collections

in collections

Italian Prints

Set of random Italian prints from NYPL collection
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Source

Metropolitan Museum of Art
link

Link

http://www.metmuseum.org/
copyright

Copyright info

Public Domain Dedication (CC0)

label_outline Explore After Giulio Romano, Medor, Lodovico

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giulio romano marcantonio raimondi engraving prints after giulio romano medor angelica lodovico ariosto and lodovico ariosto and orlando furioso and orlando furioso and venus adonis landscape italian art high resolution ultra high resolution bologna late renaissance mannerism erotic art metropolitan museum of art medieval art italian renaissance apennine peninsula