Medor and Angelica from Lodovico Ariosto's 'Orlando Furioso' or Venus and Adonis embracing, set within a landscape
Summary
Public domain image of a 16th-17th-century print, mannerism, free to use, no copyright restrictions - Picryl description
Printmaking in woodcut and engraving came to Northern Italy within a few decades of their invention north of the Alps. Engraving probably came first to Florence in the 1440s, the goldsmith Maso Finiguerra (1426–64) used the technique. Italian engraving caught the very early Renaissance, 1460–1490. Print copying was a widely accepted practice, as well as copying of paintings viewed as images in their own right.
- Medor hi-res stock photography and images - Alamy
- Medor and Angelica from Lodovico Ariosto's 'Orlando Furioso' or ...
- Medor and Angelica from Lodovico Ariosto's "Orlando Furioso", or ...
- 2021-11-21 - ART & ARTISTS
- Liebespaar in einer Landschaft (Venus und Adonis oder Angelica ...
- Descent Drawings for Sale - Fine Art America
- Marcantonio Raimondi - part 1 - ART & ARTISTS
- Mary Magdalene Drawings for Sale (Page #3 of 8) - Fine Art America
- File:Marcantonio - A man sitting on the ground, looking down at and ...
- Diminish Drawings for Sale - Fine Art America
Tags
giulio romano
marcantonio raimondi
engraving
prints
after giulio romano
medor
angelica
lodovico
ariosto and
lodovico ariosto and
orlando
furioso and
orlando furioso and
venus
adonis
landscape
italian art
high resolution
ultra high resolution
bologna
late renaissance
mannerism
erotic art
metropolitan museum of art
medieval art
italian renaissance
apennine peninsula
Date
1000 - 1500
in collections
Source
Metropolitan Museum of Art
Link
Copyright info
Public Domain Dedication (CC0)