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Summary
In Mariette Album, folio 96
Pierre Woeiriot de Bouzey II (French, Neufchâteau 1532–1599 Damblain)
Printmaking in woodcut and engraving came to Northern Italy within a few decades of their invention north of the Alps. Engraving probably came first to Florence in the 1440s, the goldsmith Maso Finiguerra (1426–64) used the technique. Italian engraving caught the very early Renaissance, 1460–1490. Print copying was a widely accepted practice, as well as copying of paintings viewed as images in their own right.
- Pierre Woeiriot de Bouzey II | Pinax Iconicus Antiquorum
- Pierre Woeiriot de Bouzey II | Design for a Sword Hilt
- Design for a Ring Watch, Plate 32 from Livre d'Aneaux d'Orfevrerie
- Mademoiselle Léonie in a Lounge Chair | Picasso museum Barcelona
- Design for a Ring, Plate 30 from 'Livre d'Aneaux d'Orfevrerie'
- Collection | Picasso museum Barcelona | Official website
- Saint Matorel | Picasso museum Barcelona | Official website
- Cadaqués | Picasso museum Barcelona | Official website
- Saint Matorel | Museo Picasso Barcelona
- Mademoiselle Léonie en una chaise-longue | Museo Picasso ...
Tags
pierre woeiriot de bouzey ii
parmigianino
engraving
prints
after parmigianino
marriage
virgin
15th century
french art
high resolution
late renaissance
mannerism
metropolitan museum of art
medieval art
apennine peninsula
Date
1000 - 1500
in collections
Source
Metropolitan Museum of Art
Link
Copyright info
Public Domain Dedication (CC0)