Maria en Jozef ten halven lijve bij de voet van een zuil. Maria heeft het Christuskind in de armen en houdt het een peer voor. Onder de voorstelling vier regels Latijnse tekst. NL-HlmNHA 1477 53008468
Summary
Nederlands: CollectieVoorhelm SchneevoogtInventarisnummerNL-HlmNHA_1477_53008468BeschrijvingMaria en Jozef ten halven lijve bij de voet van een zuil. Maria heeft het Christuskind in de armen en houdt het een peer voor. Onder de voorstelling vier regels Latijnse tekst.Gravure door Hendrick Goltzius naar ontwerptekening van Bartholomeus Spranger met Latijns onderschrift van Franco Estius, gesigneerd.FotonummerNL-HlmNHA_53008468DocumenttypeHistorieprenten, tekeningen en foto'sVervaardigerSpringer, Cornelis (1817-1891), Goltzius, Hendrick (1558-1617), Estius, Franco LandNederland Begindatum1587Einddatum1591TechniekGrafiek Drukwerk Afmeting hoogte (cm)29Afmeting breedte (cm)22TrefwoordenBijbelse voorstellingen, devotionele voorstellingen
Bartholomeus Spranger was a Flemish painter, draughtsman and etcher who lived and worked in Antwerp, Prague and Vienna. He was born in Antwerp in 1546 and trained with the painter Jan Mandijn. Spranger became master of the Antwerp Guild of St. Luke in 1565. In 1568 Spranger left Antwerp and travelled to Italy, where he studied the works of Michelangelo, Raphael and Titian. He also spent some time in Rome working for Cardinal Alessandro Farnese. In 1575 Spranger moved to Prague, where he worked as a court painter for Emperor Rudolf II. He became known for his highly refined and elegant style, influenced by Mannerism and the Italian Renaissance. Spranger's paintings often depicted mythological and allegorical subjects, and his figures were characterised by elongated proportions and graceful poses. Spranger remained in Prague until 1591, when he moved to Vienna to work for Emperor Rudolf's successor, Emperor Matthias. He died in Vienna in 1611. Spranger's work had a significant influence on the development of Baroque art in Central Europe. His paintings were highly sought after by collectors and patrons, and he was widely regarded as one of the most important artists of his time.