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Life in Camp, Part 2: In the Trenches; Good Bye; Fording; Extra Ration; The Field Barber; The Girl He Left Behind Him; Drummer; A Deserter; Home on Furlough; The Rifle Pit; Teamster; Our Special
Winslow Homer - Life in Camp, Part 1: Tossing in a Blanket
Winslow Homer - Life in Camp, Part 1: Upset His Coffee
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Life in Camp, Part 1: Building Castles; Hard Tack; Upset His Coffee; Water Call; A Shell is Coming; Riding on a Rail; Surgeons Call; An Unwelcome Visit; Late for Roll Call; Stuck in the Mud; The Guard House; Tossing in a Blanket
Summary
Winslow Homer (American, Boston, Massachusetts 1836–1910 Prouts Neck, Maine)
Public domain scan of American 19th-century print, free to use, no copyright restrictions image - Picryl description
Alois Senefelder, the inventor of lithography, introduced the subject of colored lithography in 1818. Printers in other countries, such as France and England, were also started producing color prints. The first American chromolithograph—a portrait of Reverend F. W. P. Greenwood—was created by William Sharp in 1840. Chromolithographs became so popular in American culture that the era has been labeled as "chromo civilization". During the Victorian times, chromolithographs populated children's and fine arts publications, as well as advertising art, in trade cards, labels, and posters. They were also used for advertisements, popular prints, and medical or scientific books.
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