L'Enrolement des Troupes (The Enlistment of Troops), from Les Misères et les Mal-Heures de la Guerre (The Miseries and Misfortunes of War), plate 2

Jacques Callot was born in Nancy, Lorraine, now France. He came from an aristocratic family and he writes about his noble status in his print inscriptions. He learned engraving in Rome from an expatriate Frenchman, Philippe Thomassin, and probably, from Antonio Tempesta in Florence where he started to work for the Medici. In 1621, he returned to Nancy where he lived for the rest of his life. Although he remained in Nancy, his prints were distributed through Europe. He developed several technical innovations that enabled etching lines to be etched more smoothly and deeply. Now etchers could do the very detailed work that was previously the monopoly of engravers, and Callot made good use of the new techniques. His multiple innovations also achieved unprecedented subtlety in the effects of distance and light even his prints were relatively small – as much as about six inches or 15 cm on their longest dimension. His most famous prints are his two series of prints each on "the Miseries and Misfortunes of War". These images show soldiers pillaging and burning their way through towns before being arrested and executed by their superiors, lynched by peasants, or surviving to live as crippled beggars.

• Recruitment of Troops - National Gallery of Art
• Recruitment of troops (L'enrôlement des troupes) - AGSA Collection
• <The Large Miseries of War>: Recruitment of Troops|Jacques Callot
• Jacques Callot – Artists/Makers - The Nelson-Atkins Museum of Art
• The Plundering of a Farm, from the series The Miseries and ...
• Dying Soldiers by the Roadside, from the series The Miseries and ...
• Title Page, from the series The Miseries and Misfortunes of War
• The Peasants Avenge Themselves, from the series The Miseries ...
• Works of "Prints" - Collections - The Nelson-Atkins Museum of Art
• Troop recruitment. Engraving from The miseries - Media Storehouse