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Summary
Print shows many people on the plaza before the Doge's Palace at the Piazza San Marco in Venice, Italy.
Constable, no. 17
Forms part of: George Lothrop Bradley collection (Library of Congress).
Exhibited: "From La Serenissima to the Eternal City : The Grand Tour in 18th Century Venice and Rome" at The Mitchell Gallery, St. John's College, Maryland, Feb. 2010 - May 2010.
Many historians agree that the original population of Venice consisted of refugees from Roman cities near Venice such as Padua, Aquileia, Treviso, Altino and Concordia (modern Portogruaro) and from the undefended countryside, who were fleeing from waves of Germanic and Hun invasions. Between year 166 to 168, the Quadi and Marcomanni destroyed the main center in the area, the current Oderzo. The Roman defenses were again overthrown in the early 5th century by the Visigoths and, some 50 years later, by the Huns led by Attila. The last and most enduring immigration into the north of the Italian peninsula, that of the Lombards in 568, left the Eastern Roman Empire a small strip of coast in the current Veneto, including Venice.
Venice during the peak of its power.
- La Piera del Bando. V. - National Gallery of Art
- La Piera del Bando. V. - Philadelphia Museum of Art
- La Piera del Bando, V. / A. Canal. f. | Library of Congress
- La Piera del Bando, V. / A. Canal. f. - digital file from original print
- Canaletto (Giovanni Antonio Canal), Italian, 1697–1768 Stock Photo
- La Piera del Bando, V., from the series Vedute (Views). Artist - Alamy
- La Piera del Bando, V. - A. Canal. f Stock Photo - Alamy
- 1768, La Piera del Bando. V., Vedute, (series), c. 1735/1746, etching
- La Piera del Bando (The Proclamation Stone, Venice), Canaletto ...
- Exhibit highlights aspects of the law in 'the Most Serene Republic'