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Bust of Ferdinand, duke of Braunschweig-Lüneburg, Fürstenberg porcelain manufactory

Bust of Ferdinand, duke of Braunschweig-Lüneburg

Imaginary portrait head of a man wearing a cap and fur-trimmed coat; from the series of 22 imaginary portrait heads after Giovanni Battista Piazzetta

Thomas Jefferson. (drawing) - National Parks Gallery

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Portrait of John Gibson, Rome (4670744)

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Imaginary portrait head of a man wearing a cap and fur-trimmed coat; from the series of 22 imaginary portrait heads after Giovanni Battista Piazzetta

Imaginary portrait head of a man wearing a cap and fur-trimmed coat; from the series of 22 imaginary portrait heads after Giovanni Battista Piazzetta

Imaginary portrait head of a man in a feathered hat; from the series of 22 imaginary portrait heads after Giovanni Battista Piazzetta

Imaginary portrait head of a man in a feathered hat; from the series of 22 imaginary portrait heads after Giovanni Battista Piazzetta

Imaginary portrait head of a man in a feathered hat; from the series of 22 imaginary portrait heads after Giovanni Battista Piazzetta

Man in a fur hat holding a musket, looking upwards; after Giovanni Battista Piazzetta

Titelprent bij een reeks portretten van Giovanni Battista Piazzetta

Floris Arntzenius - Portret van een man met hoed, genaamd Jodocus

Portret van Jean-Baptiste Chappe d'Auteroche

Imaginary portrait head of a man wearing a cap and fur-trimmed coat; from the series of 22 imaginary portrait heads after Giovanni Battista Piazzetta

description

Summary

Public domain photograph of 18th-century portrait painting, free to use, no copyright restrictions image - Picryl description

Printmaking in woodcut and engraving came to Northern Italy within a few decades of their invention north of the Alps. Engraving probably came first to Florence in the 1440s, the goldsmith Maso Finiguerra (1426–64) used the technique. Italian engraving caught the very early Renaissance, 1460–1490. Print copying was a widely accepted practice, as well as copying of paintings viewed as images in their own right.

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Tags

johann lorenz haid johann christian leopold giovanni battista piazzetta engravings intaglio prints mezzotints prints after giovanni battista piazzetta imaginary portrait head imaginary portrait head man cap coat series portrait heads giovanni battista piazzetta 18th century high resolution ultra high resolution italian engraving german metropolitan museum of art
date_range

Date

1730 - 1749
collections

in collections

Italian Prints

Set of random Italian prints from NYPL collection
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Source

Metropolitan Museum of Art
link

Link

http://www.metmuseum.org/
copyright

Copyright info

Public Domain Dedication (CC0)

label_outline Explore Portrait Heads, After Giovanni Battista Piazzetta, Johann Christian Leopold

Coat, 17th century costume - Public domain dedication museum photo

Agneta Yorke (née Johnson) mezzotint, published 1768. 194693

March, Cornelis Dusart - Public domain illustration print

JJ Haid nach WD Majer - Johann Georg Gmelin (Schabkunst 1760, Ausschnitt)

Elephant and woman. Tyne and Wear Archives and Museums

Coat of Arms and Insignia for: 502nd Infantry Regiment, 2nd Battalion

Dogenpaleis (Palazzo Ducale), Piazzetta, campanile en San Marco, Venetië

Marguis Giovanni Visconti Venosta, 11/14/21

Daughters of Sir Thomas Frankland, Bart

The Apparition. Museum of New Zealand collection

Portrait - Rubini, Giovanni Battista, composer

Iver Olsen - Portrett av stasjonsmester ved Stensli jernbanestasjon, Peder Sollie

Topics

johann lorenz haid johann christian leopold giovanni battista piazzetta engravings intaglio prints mezzotints prints after giovanni battista piazzetta imaginary portrait head imaginary portrait head man cap coat series portrait heads giovanni battista piazzetta 18th century high resolution ultra high resolution italian engraving german metropolitan museum of art