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description

Summary

Allegorical print showing a woman as Hope, one of the theological virtues, with one knee on a bench and both hands raised in prayer toward the sky.

Title from Graphic sampler / compiled by Renata V. Shaw, Prints and Photographs Division. Washington : Library of Congress, 1979, pp. 24-28.

Attributed to Vicentino.

After Parmigianino (1503-1540).

Print originally part of Pembroke album, no. 9.

Graphic sampler, p. 25, no. 9

Printmaking in woodcut and engraving came to Northern Italy within a few decades of their invention north of the Alps. Engraving probably came first to Florence in the 1440s, the goldsmith Maso Finiguerra (1426–64) used the technique. Italian engraving caught the very early Renaissance, 1460–1490. Print copying was a widely accepted practice, as well as copying of paintings viewed as images in their own right.

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Tags

hope religious aspects christianity mental states allegorical prints chiaroscuro woodcuts color 1540 prints 16th century fine prints parmigianino giuseppe niccolo vicentino ultra high resolution high resolution public domain art engraving italy late renaissance mannerism library of congress
date_range

Date

01/01/1540
person

Contributors

Vicentino, Giuseppe Niccolo, approximately 1510-, artist
collections

in collections

Italian Prints

Set of random Italian prints from NYPL collection
create

Source

Library of Congress
link

Link

http://www.loc.gov/
copyright

Copyright info

No known restrictions on publication.

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Topics

hope religious aspects christianity mental states allegorical prints chiaroscuro woodcuts color 1540 prints 16th century fine prints parmigianino giuseppe niccolo vicentino ultra high resolution high resolution public domain art engraving italy late renaissance mannerism library of congress