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Summary
Identifier: gliantichisepolc00bart_0 (find matches)
Title: Gli antichi sepolcri, ovvero, Mausolei romani ed etruschi trovati in Roma ed in altri luoghi celebri : nelli quali si contengono molte erudite memorie
Year: 1767 (1760s)
Authors: Bartoli, Pietro Santi, 1635-1700 Bonfigli, Marco Antonio Pietro, da Cortona, 1596-1669 Calcografia camerale (Rome, Italy)
Subjects: Sepulchral monuments Tombs Sculpture, Roman Sculpture, Etruscan Inscriptions, Latin
Publisher: In Roma : (Calcografia della Rev. Camera Apostolica)
Contributing Library: Getty Research Institute
Digitizing Sponsor: Getty Research Institute
Text Appearing Before Image:
di statue, e Cotenne alreferire di \Proccpic, el altri Autori- Veduta duella Mate Adriana Senza lantichi Ornamenti Tiall apparinone dellAngelo, in tempo diS.GreporioMagno Pontefice, sopra il/qs^gio di questoanticoSepolcro,esso kapresc<percio il nome di Castel SAngelo-pu spogliato ditiil&lmmamenù nobili nel tempo deUejuqrre rfeGoflu,edialtrenarianiBarbare che invasero Roma,onde perduta, lamaes-ta e splzndore.uenne ridotto àuso di /ertezzadaBoìiifatioTX.-e suecessiuainente daAlejf.Vli2a.se ne porta alla Tauolà JILladelùieatione» che corisponae al sentirnerito delti Antichi, et alle osjeruaoone di Adoiier ni scrittori -
Text Appearing After Image:
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The Etruscan civilization was developed by a people of Etruria in ancient Italy with a common language and culture who formed a federation of city-states. After conquering adjacent lands, its territory covered at its greatest extent, roughly what is now Tuscany, western Umbria, and northern Lazio, as well as what are now the Po Valley, Emilia-Romagna, south-eastern Lombardy, southern Veneto, and western Campania. The earliest evidence of a culture that is identifiably Etruscan dates from about 900 BC. This is the period of the Iron Age Villanovan culture, considered to be the earliest phase of Etruscan civilization, which itself developed from the previous late Bronze Age Proto-Villanovan culture in the same region. Etruscan civilization endured until it was assimilated into Roman society. Assimilation began in the late 4th century BC as a result of the Roman–Etruscan Wars; it accelerated with the grant of Roman citizenship in 90 BC, and became complete in 27 BC, when the Etruscans' territory was incorporated into the newly established Roman Empire.
By the last decades of the 16th century, the refined Mannerism style had ceased to be an effective means of religious art expression. Catholic Church fought against Protestant Reformation to re-establish its dominance in European art by infusing Renaissance aesthetics enhanced by a new exuberant extravagance and penchant for the ornate. The new style was coined Baroque and roughly coincides with the 17th century. Baroque emphasizes dramatic motion, clear, easily interpreted grandeur, sensuous richness, drama, dynamism, movement, tension, emotional exuberance, and details, and often defined as being bizarre, or uneven. The term Baroque likely derived from the Italian word barocco, used by earlier scholars to name an obstacle in schematic logic to denote a contorted idea or involuted process of thought. Another possible source is the Portuguese word barroco (Spanish barrueco), used to describe an irregular or imperfectly shaped pearl, and this usage still survives in the jeweler’s term baroque pearl. Baroque spread across Europe led by the Pope in Rome and powerful religious orders as well as Catholic monarchs to Northern Italy, France, Spain, Flanders, Portugal, Austria, southern Germany, and colonial South America.