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Garde Nationale, 155e Bataillon, Commandant: Raullot, Disderi atelier
Union / painted by T.H. Matteson ; engraved by H.S. Sadd.
Grant and his generals: distinguished commanders, in the campaign against Richmond
The Waterloo heroes assembled at Apsley House
2nd Punjab Cavalry, 1880 Gordon Hayward
STOR GRUPPE: MENN PÅ SKOGBEFARING, STANGE ALLMENNING
Text i fotoalbum: "Officersövningarna vid Duved 1919. Nedom trädgränsen å Mullfjället."
South Carolina men in blue, spring 1861
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Garde Nationale, 190e Bataillon, Commandant Geant, Disderi atelier
Garde Nationale, 188e Bataillon, Commandant: Crave, Disderi atelier
Garde Nationale, 147e Bataillon, Lt-Colonel Louis Noir, Disderi atelier
Garde Nationale, 155e Bataillon, Commandant: Raullot, Disderi atelier
Garde Nationale, 42e Bataillon, Commandant Garnier, Disderi atelier
U.S. Army National Guard unit 1st Battalion, 143rd
Garde Nationale, 25e Bataillon, Commandant Demars, Disderi atelier
Garde Nationale, 95e Bataillon, Commandant: Huber, Disderi atelier
Garde Nationale, 45e Bataillon, Comm' Jonte-Dumoulin, Disderi atelier
Garde Nationale, 144e Bataillon, Commandant Chatenoud, Disderi atelier
Summary
Picryl description: Public domain image of an 18th-19th century military conflict, armed forces, infantry, militia, free to use, no copyright restrictions.
André-Adolphe-Eugène Disdéri (1819-1889) was a French photographer who pioneered the carte de visite, a small photographic print mounted on a card. He is credited with popularising this format, which became widespread in the mid-19th century and had a significant impact on portrait photography and mass communication. Disdéri's innovation made portrait photography more affordable and accessible to the general public, facilitating the exchange of portraits between friends, family and public figures. His work played a crucial role in the development of photography as both an art form and a means of social documentation.