Galatea riding in a shell pulled through the water by dolphins, a cupid below and four more above, at left a triton embracing a nymph and behind them a man on horseback blowing a conch, at right a figure blowing a horn and behind him a nymph riding on a centaur

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Galatea standing in a water-chariot pulled by two dolphins, surrounded by tritons, nereids, and putti, three of which prepare to shoot arrows from above

Galatea escaping Polyphemus; he is seated on a rock holding a staff and pipes and looking towards Galatea at right riding a shell pulled by two dolphins, Cupid flying above

Mythologische voorstelling. Aan de rechterkant twee vrouwen in een boot, achtervolgd door een hoornblazer op zeepaard. Links in beeld twee zeepaarden met vissenstaat met een hoornblazer op de rug.

Neptunus staand op schelp getrokken door paarden temidden van zeewezens, boven hem houden vier putti doek met titel vast

Jupiter tumbling from a horse-drawn carriage at right, Ganymede in the form of an eagle carries a woman in the upper centre, below Venus in he cnetre flanked at the left by the three Graces

Neptunus staand op schelp getrokken door paarden temidden van zeewezens, boven hem houden vier putti doek met titel vast

Public domain photo of Antique sculpture, Europe, 16th-17th century, free to use, no copyright restrictions image - Picryl description.

More: Italian Prints

Printmaking in woodcut and engraving came to Northern Italy within a few decades of their invention north of the Alps. Engraving probably came first to Florence in the 1440s, the goldsmith Maso Finiguerra (1426–64) used the technique. Italian engraving caught the very early Renaissance, 1460–1490. Print copying was a widely accepted practice, as well as copying of paintings viewed as images in their own right.

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marco dente engraving prints marco dente 1515 1527 raphael raffaello sanzio or santi 1483 1520 nymph cupid galatea centaurs nymphs dolphins raphael raffaello sanzio or santi bequest of grace m pugh after raphael shell water triton man horseback conch figure horn centaur 16th century italian art high resolution ultra high resolution sculpture metropolitan museum of art medieval art italian renaissance apennine peninsula raphael raffaello santi

1510 - 1532

Italian Prints

Set of random Italian prints from NYPL collection

Metropolitan Museum of Art

https://www.metmuseum.org/

Creative Commons CC0 1.0 Universal Public Domain Dedication ("CCO 1.0 Dedication")