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Frieze with Tritons and Nymphs - Public domain dedication. Metropolitan Museum of Art image.

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Summary

Public domain scan of 16th-17th century print, free to use, no copyright restrictions image - Picryl description

Printmaking in woodcut and engraving came to Northern Italy within a few decades of their invention north of the Alps. Engraving probably came first to Florence in the 1440s, the goldsmith Maso Finiguerra (1426–64) used the technique. Italian engraving caught the very early Renaissance, 1460–1490. Print copying was a widely accepted practice, as well as copying of paintings viewed as images in their own right.

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girolamo mocetto engraving prints venice girolamo mocetto 1470 1531 nymphs satyrs the elisha whittelsey collection the elisha whittelsey fund frieze tritons italian art high resolution ultra high resolution renaissance art italian renaissance metropolitan museum of art medieval art apennine peninsula
date_range

Date

1490 - 1530
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in collections

Italian Prints

Set of random Italian prints from NYPL collection
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Source

Metropolitan Museum of Art
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Link

https://www.metmuseum.org/
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Creative Commons CC0 1.0 Universal Public Domain Dedication ("CCO 1.0 Dedication")

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girolamo mocetto engraving prints venice girolamo mocetto 1470 1531 nymphs satyrs the elisha whittelsey collection the elisha whittelsey fund frieze tritons italian art high resolution ultra high resolution renaissance art italian renaissance metropolitan museum of art medieval art apennine peninsula