Similar
Antoni Sucquet Via vitae aeternae (1630) (14743382084)
Public domain photograph of artwork in Instituto del patrimonio cultural de Espana, free to use, no copyright restrictions image - Picryl description
M. Vitrvvii Pollionis De architectvra libri decem, ad Caes. Avgvstvm, omnibus omnium editionibus longè emendatiores, collatis veteribus exemplis (1586) (14781480254)
Soldaat die zijn lont op de haan van zijn roer drukt (nr. 7), ca. 1600
Frankfurt Am Main-Lichtenstein-Reiffenstein vor Barock
Livius, Titus - Public domain portrait print
View of Chinese, 1683 - A painting of two men standing next to each other
Opera noua contemplatiua p[er] ogni fidel christiano laquale tratto de le figure del testamento vecchio; le quale figure sonno verificate nel testamento nuouo con le sue expositione ...
Abundance - La Guerre et le débat entre la langue, les membres et le ventre (page 3 crop)
Related
Elevation of Giulio Romano's House (recto); the Ruins from the Caelius Aqueduct and Temple of Claudius in Rome (verso)
Elevation of Giulio Romano's House (recto); the Ruins from the Caelius Aqueduct and Temple of Claudius in Rome (verso)
Elevation of Giulio Romano's House (recto); the Ruins from the Caelius Aqueduct and Temple of Claudius in Rome (verso)
Elevation of Giulio Romano's House (recto); the Ruins from the Caelius Aqueduct and Temple of Claudius in Rome (verso)
Knekelhuis (ossuarium) van het Kapucijnenklooster in Rome
Atrium and impluvium of a ruined Roman house
Ruïne van de Casa di Crescenzio (Casa dei Crescenzi) in Rome
Romeinse keizers Julius Caesar, Augustus, Tiberius en Caligula
Ancient Roman houses and oratory at Aquileia, Italy,
Elevation of Giulio Romano's House (recto); the Ruins from the Caelius Aqueduct and Temple of Claudius in Rome (verso)
Summary
Public domain image of a historic building, 15th-16th century architecture, free to use, no copyright restrictions image - Picryl description.
Renaissance representation of classical ruins was a symbol of antiquity, enlightenment, and lost knowledge. Ruins spoke to the passage of time. The greatest subject for ruin artists was the overgrown and crumbling Classical Rome remains. Forum and the Colosseum, Pantheon, and the Appian Way. Initially, art representations of Rome were realistic, but soon the imagination of artists took flight. Roman ruins were scattered around the city, but frustrated artists began placing them in more pleasing arrangements. Capriccio was a style of imaginary scenes of buildings and ruins.
- Elevation of Giulio Romano's House (recto); the Ruins from the ...
- 5 Giulio romano and Images - PICRYL
- Search The Collection - The Metropolitan Museum of Art
- Elevation of Giulio Romano's House (recto); the Ruins from the ...
- File:Elevation of Giulio Romano's House (recto) - Wikimedia Commons
- Giovanni Battista Naldini | Design for the End Pier of a Table
- The Dead Christ Supported by Three Figures
- 47 Giovanni battista naldini Images: PICRYL - Public Domain Media ...
- Giovanni Battista Naldini (1535–1591) | PICRYL - Public Domain ...
- 47 Giovanni battista naldini Images: PICRYL - Collections
Tags
giovanni battista naldini
drawings
ink
elevation
giulio
romano and
giulio romano and
house
recto
ruins
caelius
aqueduct
caelius aqueduct
temple
claudius
rome
verso
roman
16th century
history of rome
italian art
historical images
high resolution
ultra high resolution
renaissance art
italian renaissance
mannerism
late renaissance
mediterranian architecture
church buildings
metropolitan museum of art
medieval art
apennine peninsula
Date
1557
in collections
Source
Metropolitan Museum of Art
Link
Copyright info
Public Domain Dedication (CC0)